A Quote by S. E. Hinton

I find it to be easier to write from a man's point of view. — © S. E. Hinton
I find it to be easier to write from a man's point of view.
There are definitely parts of me in most of the protagonists I write, but I find a bit of distance can be useful, so I often find myself better able to write from a point of view that isn't exactly my own.
My advice is that it's easier to write than direct. If you have an interest in writing, write. You might as well start with yourself or some event you know well, and you need a point of view.
It was easier to know a character's point of view than it was to figure out what your point of view was.
But every point of view is a point of blindness: it incapacitates us for every other point of view. From a certain point of view, the room in which I write has no door. I turn around. Now I see the door, but the room has no window. I look up. From this point of view, the room has no floor. I look down; it has no ceiling. By avoiding particular points of view we are able to have an intuition of the whole. The ideal for a Christian is to become holy, a word which derives from “whole.
I write songs from the point of view I had at a time;I'm not tryingto write songs from a young person's point of view.That only ends in disaster.
It's to a writer's advantage to contain within himself elements of each sex, or any sex. It's to his advantage because it makes him able to write from the female point of view as well as the male. In some cases, of course, you will find some homosexual writers who can only write from a f - - -'s point of view. But I don't regard myself as a f - - -! Some people may. Also audiences wanted escapism. They don't like too much protest or criticism of their way of life.
I started writing a novel from the monster's point of view. It has its own difficulties but, I'm ashamed to say, it's much easier writing from a psychopath's point of view than from that of their empathetic opposite.
I know from an editor's point of view or a publisher's point of view it's easier to slot me into a particular niche. But I know that I'd be bored unless I wrote a book that in some senses was a challenge.
If you're not on set, if you're not on stage, go to class. Find teachers you trust and who push you and who you respect as people. That's what you're getting with a teacher: a point of view. You end up taking those points of view and that turns into your point of view as an actor.
I am good at persuading people. In convincing the other, I try to start from their point of view so it's easier for me to find a common denominator.
Comics write to their point of view. If you're an exceedingly irreverent comedian, you've got to see where that point of view fits or produces the most funny.
I write a lot of songs about my impressions from a man's point of view.
Point of view is not something I consciously decide. Almost always, when I come up with a plot I find that the point of view has automatically arrived with it, part and parcel of the story.
My readers often tell me that what they admire about my books is my ability to write from so many points of view. My challenge to myself is whether I'll ever be able to write a novel just from one point of view. It seems impossible.
I find a woman's point of view much grander and finer than a man's.
I take a biocentric point of view. I look at things from the point of view of the Earth and the laws of ecology. As opposed to the anthropocentric point of view, where everything revolves around humanity.
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