A Quote by S. J. Perelman
I'll dispose of my teeth as I see fit, and after they've gone, I'll get along. I started off living on gruel, and by God, I can always go back to it again.
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In theory I can do almost anything; certainly I have been told how. In practice I do as little as possible. I pretend to myself that I would be quite happy in a hermit's cave, living on gruel, if someone else would make the gruel. Gruel, like so many other things, is beyond me.
Maybe I'd never see him again... maybe he'd gone for good... swallowed up, body and soul, in the kind of stories you hear about... Ah, it's an awful thing... and being young doesn't help any... when you notice for the first time... the way you lose people as you go along ... the buddies you'll never see again... never again... when you notice that they've disappeared like dreams... that it's all over... finished... that you too will get lost someday... a long way off but inevitably... in the awful torrent of things and people... of the days and shapes... that pass... that never stop.
I feel like the world stopped. And I got off...and then it started spinning again, but too fast for me to hop back on. I feel like I'm still trying to get a...to get some kind of foothold on living
When I announced on my Facebook page that I'm coming to Israel, people started telling me that I shouldn't go there, but I figured that if I'm not going to come here, then I guess I can't go back to the United States anymore and I can never go to Russia again and I should probably never go back to Germany and I should probably never go back to France and I should probably never go back to England....All I see here is a really beautiful city.
I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it. People think pleasing God is all God cares about. But any fool living in the world can see it always trying to please us back.
For one week, all I could think about was drinking margaritas--well, that and running my tongue along Reyes's teeth--but I didn't have salt--or Reyes's teeth. I'd also lacked the energy to leave my apartment to get some--or the desire to stoop low enough to beg Reyes to let me lick his teeth after what he did--so I could only wish for a margarita. And dream of Reyes's teeth. I'd secretly hoped a margarita would magically appear in my hand, but that would mean I would have to put down the remote, and God knew that was not going to happen.
My body and its condition are a barometer that is always trying to tell me which direction to go for my maximum creativity, health and fulfillment. And, because I'm human, I get off track now and again but I can always get back on.
I had always planned when I started directing in 1970 that after a few years I'd get tired of looking at myself on the screen and say: "Hey, let's not do that any more." But then every once in a while something pops up. I'm not saying it won't happen again but probably the odds get less as you set yourself for roles that fit your age group.
My travels have always been of the same kind. No matter where I've gone or why I've gone there it ends up that I never see anything. Becoming a movie star is living on a merry-go-round. When you travel you take the merry-go-round with you. You don't see natives or new scenery. You see chiefly the same press agents, the same sort of interviewers, and the same picture layouts of yourself.
I think of me and Melanie when we were younger, on the high dive at the pool in Mexico. We would always hold hands as we jumped, but by the time we swam back up to the surface, we'd have let go. No matter how we tried, once we started swimming, we always let go. But after we bobbed to the surface, we'd climb out of the pool, clamber up the high-dive ladder, clasp hands, and do it again. We're swimming separately now. I get that. Maybe it's just what you have to do to keep above water. But who knows? Maybe one day, we'll climb out, grab hands, and jumo again.
After walking off the field feeling nauseous knowing my wrist was broke and hearing Philly fans yelling 'You deserve it,' and, 'That's what you get,' I am motivated to get back quickly and see to it personally those people never walk down Broad Street in celebration again.
Listen, God love everything you love - and a mess of stuff you don't. But more than anything else, God love admiration. You saying God vain? I ast. Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it. What it do when it pissed off? I ast. Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back.
One day you're cut off, at the very start you're cut off and can't go back, the language you learn and the whole business of walking and all the rest is for the sake of the single thought, how to get back again.
When I look at the directors that I really love, who really develop their films over time, they're almost always the ones who go back again and again and again at the same investigations. I think that when somebody has a theme they go after, it's fun to service that. It's like, "I know you now. I know what you go at." It helps you locate yourself a little bit quicker in their world.
Sometimes I get kind of bored if I go like a month or so and I'm not doing anything. At first I'm like, 'Cool, I'll have a little time off and I'll get to hang out with friends,' but then after a little while goes by I'm like, 'Oh,' and I really wish that I could go back and start doing work again.
When I first started at Bridgend, I'd see the amount of work Rob Howley put in on his own after the team had all gone home. He was doing ridiculous amounts. So I started training like him. Always on my own.
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