A Quote by S. J. Rozan
I wanted a real profession. And I'd always been interested in architecture and in design and in, really, what makes things work. And understanding what's kind of behind the walls and why things stand up and some things don't.
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My dad is a carpenter, a joiner, and I used to watch him make things. So I always imagined that I'd do something where I made things, too. I was really more interested in architecture growing up because I would work with my dad on houses.
I realized that the reason why my head was so cluttered and why I was so unstable and not taking care of myself, all of these things, was that I was unhappy. If I wanted to get to a happier place and find some kind of peace, I was going to have to address problems with myself, things from my life up until that point that I hadn't dealt with: insecurities, fears, and those kinds of things.
If you want to be a real human being - a real woman, a real man - you cannot tolerate things which put you to indignation, to outrage. You must stand up. I always say to people, 'Look around; look at what makes you unhappy, what makes you furious, and then engage yourself in some action.'
I started to begin to be interested in architecture and design when I was 14 years old, which was pretty early in life. And then I would start to look at architectural magazines and I eventually went to the school of architecture too, but one of the things I learned very early is that an architect should be able to design anything from a spoon to the city.
Everyone needs some trial and error figuring out how it's gonna work for them. I could have gotten that out of the way a little sooner but I think you're totally right, the way I kind of think about things and the way I wanted to put myself out there doesn't fit the traditional side of things. I needed things like podcasts and YouTube and things that allow you to get it out there yourself and stand in the flames.
The content could be done anyplace, but the real invention is the architecture. The architecture is the only work that really defines a new way of doing things. I think this point is fundamental.
I like the idea of the idler wheel - it just sits in between things, but it makes such a big difference in the way that the machine is working. That concept has always been something that has interested me, but I didn't really know why.
Something I always wanted to do, to capture that later half of the '70s. It's like the early half of the '70s is still the '60s, in that there's still kind of a playfulness and inventiveness in terms of design and the things that were going on in the culture. The second half, it got much more commodified. It's possibly the ugliest era of architecture and clothes and design in the entire 20th century, from 1975 to '81 or '82.
A lot of organizers are trying to figure out how do we create entrances for people so they can be involved in the work in a way that makes them feel is aligned to the things they're interested in and not the things the organizer is interested in?
I have been primarily interested in how and why ordinary people do unusual things, things that seem alien to their natures. Why do good people sometimes act evil? Why do smart people sometimes do dumb or irrational things?
You tour and you work hard and you take care of your fans and very real things lead to other real things. There's never been some fantastic fluke or break in my career, it has all been very slow and steady.
So this is where you grew up. Did you like it here? I guess you couldn't have, if you wanted to leave.' CHRISTINA 'I liked some things and hated some things. And there were some things I didn't know I had until I lost them.' TRIS
I've always thought that design can have equal importance to the idea of internal architecture. Professionally, things can be very dogmatic - you do the architecture, someone else does the interiors, someone else does the furniture, the fabric, etc. But I think design is all-encompassing.
I think when things happen in our lives that we can't truly understand why they destroy us, it's because we can't truly understand or communicate it to anyone else. And that is what is destructive - you can't communicate it to the people that you love and it makes things deteriorate. Or you're hiding from yourself, or you're hiding from somebody else, and that was really fascinating to me... that life isn't like the movies and you can't always point to one thing and explain why you did things that ended up hurting you.
I remember kind of doing early acting and thinking, 'God, they don't paint behind the sets.' It's a bit of a shame, really - 'Oh, what's on the other side of this wall? Oh, you can see the plywood.' I was really disappointed. I just thought that these things were real, from watching things as a kid.
I remember kind of doing early acting and thinking, "God, they don't paint behind the sets." It's a bit of a shame, really - "Oh, what's on the other side of this wall? Oh, you can see the plywood." I was really disappointed. I just thought that these things were real, from watching things as a kid.
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