A Quote by S. Sreesanth

I don't want to live on my past performances and say that I did well then. — © S. Sreesanth
I don't want to live on my past performances and say that I did well then.
The clubs usually enforce no filming of performances pretty well. I want to know that what I'm doing is in the here and now and it's mine. I absolutely want control over my performances. And it is actually scary to see someone filming you without permission. Like Big Brother is watching. All these cameras don't make up for a life that isn't well-lived! I agree that people don't live in the moment, they instead live to make a name for themselves as "people who are living exciting lives and at great events".
The old forms of entertainment are not extinct. Live performances are the pinnacle. If you can something that people want to see live, then you have a great career.
And also...well...i told them I want to get an apartment with him next year rather than live in the dorms." What'd they say?" Over their dead bodies." What did you say?" I asked whether they wanted to be burie or cremated.
Do not allow past experiences to be imprinted on your mind. Perform asanas each time with a fresh mind and with a fresh approach. If you are repeating what you did before, you are living in the memory, so you are living in the past. That means you don't want to proceed beyond the experience of the past. Retaining that memory is saying, 'Yesterday I did it like that.' When I ask, 'Is there anything new from what I did yesterday?' then there is progress. Am I going forward or am I going backward? Then you understand how to create dynamism in a static asana.
You only get so much time to do something that you enjoy or love to do. If you can continue doing it, you might as well, because I don't want to live in regret. I don't want to be the person sitting behind a desk, wondering, 'Did I do it right, did I finish it off, did I really give it my all?'
I do work a lot. I mean, most of my income, I would say, comes from live performances. And then you've got publishing, you've got record royalties.
I always tell people I want to live to be 150 and they say why would you want to do that. I say, well there's a few people I haven't made mad yet, I want to get them.
I think acoustic performances and full, live performances are always cool in different ways.
If you live through the initial stage of fame and get past it, and remember thats not who you are. If you live past that, then you have a hope of maybe learning how to spell the word artist.
My records are one thing. My live performances are something totally different because they're very improvised performances.
I feel like Fox did 'Grease' really right, I thought that was fantastic - it was so well mounted, well-executed, the performances were great, and it had a real sense of fun.
Dear Willem: I’ve been trying to forget about you and our day in Paris for nine months now, but as you can see, it’s not going all that well. I guess more than anything, I want to know, did you just leave? If you did, it’s okay. I mean it’s not, but if I can know the truth, I can get over it. And if you didn’t leave, I don’t know what to say. Except I’m sorry that I did. I don’t know what your response will be at getting this letter, like a ghost from your past. But no matter what happened, I hope you’re okay.
If you want to say something and have people listen then you have to wear a mask. If you want to be honest then you have to live a lie.
I am so excited to perform; I am so ready to perform; I love live performances! I think it's something so different from a track; live is just so unique and cool because the energy is just so different. I cannot wait to have live performances.
I'm a very private person. What I did in the past or what somebody heard me do or has a bootleg of me doing...well, if you have a bootleg, then I did it.
I do a lot of American plays. I've done a lot of Arthur Miller, Tennessee Williams and Neil Simon. I was in 'Sisters Rosensweig,' 'Six Degrees of Separation,' all of that stuff. So we're very familiar with America. I did 400 performances of 'Born Yesterday.' I did 700 performances of 'They're Playing Our Song.'
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