A Quote by Saadi

No person learned the art of archery from me,
 who did not in the end make me his target. — © Saadi
No person learned the art of archery from me, who did not in the end make me his target.
I never think in terms of target audience. I try to write what makes me laugh, so I'm the target audience. I guess I just hope there's another person in America like me.
... the more I learned, the more conscious did I become of the fact that I was ridiculous. So that for me my years of hard work at the university seem in the end to have existed for the sole purpose of demonstrating and proving to me, the more deeply engrossed I became in my studies, that I was an utterly absurd person
In archery we have something like the way of the superior man. When the archer misses the center of the target, he turns round and seeks for the cause of his failure in himself.
The only time I got the absolute most insanely nervous in my life was at the Olympic trials, because archery is a horrible spectator sport. Nobody goes and watches an archery tournament. Because the targets are three-quarters of a football field away. Who can tell who's winning? You can't even see your own target from where you are.
I just sing. But I have a fun hobby: I love to do archery. I'm pretty good on target. I'm not sure about the distances - maybe only 7 or 10 feet, so far, but I've scored the bull's eye several times, but usually always hit the target.
I am a very good archer. I use archery as my way of meditation. I cannot sit down and just meditate in the classical sense. I am very active. So, I use archery. I have my bow, my arrow and I use this tension and relaxation in the second after throwing the arrow. And it is my way to meditate and this is the only thing that clears my mind. When I do archery, I am totally there with my bow, my target, my arrow, and I don't think, I am communion with the universe.
Many Southern writers must have learned the art of storytelling from listening to oral tales. I did. It gave me the knowledge that the simplest incident can make a story.
In his forty-third year William Stoner learned what others, much younger, had learned before him: that the person one loves at first is not the person one loves at last, and that love is not an end but a process through which one person attempts to know another.
I did archery when I was in high school. In our gym class we had two weeks of archery, and I remember taking the bow and arrow and firing it up and across the street into a car parking lot.
I did archery when I was in high school. In our gym class we had two weeks of archery and I remember taking the bow and arrow and firing it up and across the street into a car parking lot.
ART Art is that thing having to do only with itself—the product of a successful attempt to make a work of art. Unfortunately, there are no expamples of art, nor good reasons to think that it will ever exist. (Everything that has been made has been made with a purpose, teverything with an end exists outside of that thing, i.e., "I want to sell this", or "I want this to make me famous and loved", or "I want this to make me whole", or worse, "I want this to make others whole.") And yet we continue to write, paint, sculpt and compose. Is this foolish of us?
He that plays the king shall be welcome- his Majesty shall have tribute of me; the adventurous knight shall use his foil and target; the lover shall not sigh gratis; the humorous man shall end his part in peace; the clown shall make those laugh whose lungs are tickle o' th' sere; and the lady shall say her mind freely, or the blank verse shall halt fort.
A white lace curtain on the window was for me as important as a great work of art. This gossamer quality, the reflection, the form, the movement. I learned more about art from that than I did in school.
I used to always make art for girls. That was the thing I did for girls to like me. I did portraits, drawings, letters that formed outlines of significant things in our relationship. Art. I just used art in general. It usually worked.
I really enjoyed Eddie Bracken. He told me a great story. He did The Odd Couple on Broadway, replacing Art Carney, and he said, "Art Carney did it for six months and I did it for three years, and I don't think anyone I've ever spoken to saw me. They all saw Art Carney."
I learned different ways of working out. I learned a lot about my body. Let me just say that Arnold Schwarzenegger had 20-inch biceps when he did his first film, and when I did 'Saala Khadoos,' being a vegetarian, I managed 18 and half inches.
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