A Quote by Saba Qamar

I not only want to engage with my fans but want to truly show and express my experiences and potential as a narrator and a story teller. — © Saba Qamar
I not only want to engage with my fans but want to truly show and express my experiences and potential as a narrator and a story teller.
Sometimes the fans want it both ways, of course. They want to feel like they're influencing the show, and at the same time, they want to think that showrunners have the story all mapped out in our brains. But it can't be both. In truth, we were usually far ahead of the fan feedback.
Networks don't want a show with a continuing story. There's no backend potential.
The most beautiful people are those who are truly themselves, and that's what I want to show my fans.
I want to show fans what I do best, which is hurt people in the ring and create knockouts. And at the end of the day, that's what fans want to see.
When picking a show, I took into consideration who my fans are. Let's be honest, Buffy was a mid-season replacement on The WB, based on a failed movie. If it wasn't for the outpouring of fans and critics supporting us, we would have been canceled after four episodes. Sure, you want to stretch and you want to do different things, but it's also our job to think about who our fans are and what they want to see. Ultimately, that's why we do.
I really want to show my supporters - -the direction I wish to go into, and my fans know that is what I want to do! They even have recommended songs for me to sing, I love my fans...they are awesome!
The narrator blames the birds. And you want to blame the birds as well. I blamed the birds for a long time. But in this story everyone is hungry, even the birds. And at this point in the story so many things have gone wrong, so many bad decisions made, that it’s a wonder anyone would want to continue reading.
I want to tell the story. Mostly, when you see rock movies, it has to be this over-the-top thing. I want to give people a Bret Michaels movie where they see that my life is a comedy of errors. I also want to show my fans how to get through the kind of troubles that would leave most people flat on the floor.
Any show I'm working on, I want the stories to always be about something, and to have the potential to be emotional. That's the kind of story that I like.
Dealing with actors is incredibly complex because they oftentimes are like pieces of clay. They want to be told how you want it done. You have to then decide if you want to be the teller or if you want to give them agency.
Choosing the narrator for a first-person story like 'Downriver' is a crucial decision because the voice has to be one the reader wants to listen to, and the voice has to be a match for the emotion you want the story to carry.
You only have to go on a couple message boards to know what the fans want, and the fans want you to put it on the line and to entertain them.
I want authenticity, I don't want players to make a show. I want players to be able to be themselves on court and express all kinds of emotions.
Ezra clapped his hands. "all right," he said. "In addition to the books we're reading as a class, I want to do an extra side project on unreliable narrators." Devon Arliss raised her hand. "what does that mean?" Ezra strode around the room. "well, the narrator tells us the story in the book, right? But what if... the narrator isn't telling us the truth? Maybe he's telling us his skewed version of the story to get you on his side. Or to scare you. Or maybe he's crazy!
I understand that some fans want to express their feelings with signs, and they should do so, as long as they stay within the boundaries of good taste and don't block the view of other fans.
I don't want to just tell my story - I want to share the experiences, life lessons, and values that have shaped who I am and my ideas for the future.
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