A Quote by Sabaa Tahir

I wanted to write something that reflected the violence and horror of the world, but I also wanted to reflect the way people fight to survive, even when society wants to crush them.
[ Age Of Trump] was something that I really wanted to do, and I also really wanted it to feel evergreen, so we made a lot of attempts not to bog it down in the campaign fight, even though we were right in the middle of that. I wanted it to be something that could live on and be a conversation piece long after this inauguration, whoever it was going to be.
I'm so sick of seeing guns in movies, and all this violence; and if there was going to be violence in Pines, I wanted it to actually be narrative violence. I wasn't interested in fetishizing violence in any way of making it feel cool or slow-motion violence. I wanted it to be just violence that affected the story.
I think the violence in the world right now is being reflected inside people. And I also believe the violence inside people is being reflected in the world.
I had always loved horror films, so I wanted to do something in the horror genre but wanted it to be sweet and charming at the same time. Because there's a difference between watching horror, where you can leave it behind, and writing horror, where you have to live in it for months and months at a time.
What I wanted in life always was to write something as good as 'Pinocchio.' I wanted to write. I wanted to evolve. I wanted to grow.
but it wasn't just about my feelings. The more I got to know you, the more I was certain that you'd do whatever it took to provide for your family. That was important to me. You have to understand that back then, a lot of people our age wanted to change the world. Even though it's a noble idea, I knew I wanted something more traditional. I wanted a family like my parents had, and I wanted to concentrate on my little corner of the world. I wanted someone who wanted to marry a wife and a mother, and someone who would respect my choice.
I wanted to be free to write the way I wanted to write, and my impression of Christian publishing, at least in fiction, was that there wasn't room for what I wanted to write.
I knew that I wanted to write about a very young woman because I wanted to see the eyes of the art world in a fresh or even slightly naive way. Because there's something very honest about entering a room and not having a read on everyone there.
In my mid-twenties, I was with a conducting career, but I had never been to university and I wanted to. There were things I wanted to study in depth. I also wanted to see if I could survive without music.
I wanted to be champ of the world, but I kept hoping something would happen to Frazier. I didn't want to fight him. Nobody wanted to fight Joe Frazier.
I wanted to be a writer, to write these stories that would make people see the world in a different way. But I ended up going to business school because I thought I could ultimately get to where I wanted to go faster that way.
A world turned into a stereotype, a society converted into a regiment, a life translated into a routine, make it difficult for either art or artists to survive. Crush individuality in society and you crush art as well. Nourish the conditions of a free life and you nourish the arts, too.
I wanted to drown inside a woman in the feeling and drooling of the love I could give her. I wanted her pulse to crush me with its intensity. That's what I wanted. That's what I wanted myself to be.
I sort of just wrote the songs, the way I wanted to write them, sing them the way I wanted to sing them, perform the way I wanted to perform.
I wanted to show what it's really like for 98 percent of the world's population [in the third world]. Plus, I also see there are an awful lot of young people out there doing good things, and I wanted to give them a platform.
On the mission I brought a flag from China, I brought the stone sculpture from Hong Kong, and I brought a scroll from Taiwan. And what I wanted to do is, because as I was going up and I am this Chinese-American, I wanted to represent Chinese people from the major population centers around the world where there are a lot of Chinese people. And so, I wanted to bring something from each of those places and so it really wasn't a political thing and I hope people saw it that way. I was born here, I was raised in the U.S., and I'm an American first, but also very proud of my heritage.
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