A Quote by Sabaa Tahir
If I'm really excited about a scene, I used to wait to write it, and now I'll just write it. When you do that, all sorts of awesome things can happen from just giving in and writing that scene you're excited about.
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When I first started writing, there was no way I'd write a sex scene. That just seemed impossible. That's why in "Fight Club" all the sex happens off-screen. It's all just a noise on the other side of the wall or the ceiling. I just couldn't bring to write in a scene like that. So one of the challenges with "Choke" was I wanted to write sex scenes until I was really comfortable just writing them in a very mechanical way.
It's just really, really beautiful. Each scene is one long 15 minute take without cutting. My scene is with Robin Wright-Penn so I'm pretty excited about that.
I eat broccoli. I think about the plot. I pace in circles for hours, counter-clockwise, listening to music. I try to think of one detail in the scene I'm about to write that I'm really excited about writing. Until I can come up with that one detail, I pace.
Never sit staring at a blank page or screen. If you find yourself stuck, write. Write about the scene you're trying to write. Writing about is easier than writing, and chances are, it will give you your way in.
have a much harder time writing stories than novels. I need the expansiveness of a novel and the propulsive energy it provides. When I think about scene - and when I teach scene writing - I'm thinking about questions. What questions are raised by a scene? What questions are answered? What questions persist from scene to scene to scene?
I knew the basic outline of the novel [The Dissemblers] and would write whatever scene of the book I felt particularly excited about at the time.
If I'm extra happy or excited, it'll take me an hour or two to write a song. Or, if I'm really sad or something, it will take me about a day. But I have a specific way of writing: I just listen to the beat. I think about what I'm going to write over the beat.
I'm so pleased that I'm coming back to Armageddon, just to meet everyone. I'm very excited about doing it, I've heard great things about Armageddon and I'm just really excited to get there.
...a story should be like a roller coaster. That is to say before writing a really cruel scene, I have to lift the people's spirits, for example, with a fun scene... Before writing a scene of pure despair, we must go through scenes of hope. And indeed, when I write, all of this amuses me very much.
I just love life. I'm excited about things in life. I think that if you're excited about life, you are excited about waking up and doing things with your life every day.
I just did a part in 'Sin City 2.' I got to do a scene with Ray Liotta. Amazing man, extraordinary gentleman who was just so kind to me... I'm so excited about that; I think it's gonna be very cool.
I just did a part in 'Sin City 2.' I got to do a scene with Ray Liotta. Amazing man, extraordinary gentleman who was just so kind to me... I'm so excited about that I think it's gonna be very cool.
The songs will come as they come, and I'm excited because I haven't gotten to be really creative in a while. I'm excited to get back and do what I do and just write a song.
Usually if a scene's really hard to write, I just don't write it. Nothing's coming to mind.
I jog in the morning and then write for about two hours. There are times when I'm really excited and can't wait to get back to it. But there are days when I don't know what's coming next, and I really have to force it.
The secret to writing is just to write. Write every day. Never stop writing. Write on every surface you see; write on people on the street. When the cops come to arrest you, write on the cops. Write on the police car. Write on the judge. I'm in jail forever now, and the prison cell walls are completely covered with my writing, and I keep writing on the writing I wrote. That's my method.
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