A Quote by Sabrina Carpenter

The coolest thing about doing live shows is I'm able to give the songs a new life. So even thought they're old, I'm able to do them in a way that's modern. — © Sabrina Carpenter
The coolest thing about doing live shows is I'm able to give the songs a new life. So even thought they're old, I'm able to do them in a way that's modern.
In terms of being able to renew my nation, to be able to be able to bring back a devastated country, to restore hope to our people, to lift women and to give them a new horizon, a new ambition and new dreams, in respect of all of that, I think we've accomplished it, and I feel very good about that.
The thing about Bob Dylan's performative essence is that he keeps singing these old songs as well as the new songs, and the old songs become new with new arrangements and new contexts as time goes by.
I suppose in some ways doing some of the songs in the show felt a bit like I was doing cover versions. I was covering myself. Not that they didn't feel like my songs, but the way I was approaching them was from a place so outside where they were written. The fact that these songs were in the context of a live show was a new thing.
I was able to notice in a very early stage, there were discrepancies between the people who are writing the songs and discrepancies about the self that I was writing about. I was feeling that there were all these different people, both writing the record and having the record being written about them, even though ostensibly it was me sitting down and documenting a series of life experiences. Part of that, when I recognized this unconscious thing I was doing, was about these spaces, about these gaps.
You should be able to afford health care for your family. You should be able to retire with dignity and respect. And you should be able to give your children the kind of education that allows them to dream even bigger, go even farther and accomplish even more than you could ever imagine.
I've actually found - especially doing my cabaret show - I'm connecting with people in a way I haven't connected with them. I've found that when you're open and honest, people respond to that, whatever you're being open and honest about. You could then, when you lay that as the groundwork, say, "Here I am. This is what I think. I come in peace." Then you're able to push out, to be able to talk about more things. And that's been a really heartening thing about my life, actually.
The songs I was writing still had lyrics or sentiments that didn't match what I was feeling. It was old, negative energy coming out of me still, but it needed to all get out so I could trash those songs and put them in the bin. And then I was able to let the new songs out.
Even though my songs may sound very personal, to me most of them are fiction. It is a great way for me to be able to live a fantasy life as a writer because I get to be someone else, someplace else for three and a half minutes, just like the listener.
Part One: I do not exist to impress the world. I exist to live my life in a way that will make me happy. Part Two: Everybody else is free to do whatever they feel like doing, for a living. Part Three: Responsible is Able to Respond, able to answer for the way we choose to live. There's only one person we have to answer to, of course, and that is ourselves.
Most of the time I don't even talk about any direct lineage of songs, because I feel like it just chains them down into my own consciousness, and the whole fun of them is being able to live in others' consciousness.
For me being able to see all different places where I've skied and cherish them, and be able to see them - really see them - is something that I'm passionate about. I'm into photography, so I really enjoy taking photos of all the places that I've gone. I think that's the coolest part about being an Olympic sportsman, I get to travel around and see the world for free, technically. And get to see different cultures, and all the different people that I've met along the way - it's a pretty awesome job.
A lot of modern film scoring is about a lack of themes, so I try to find ways of using music that doesn't necessarily have thematic material in it to make the points when there is thematic material even stronger. It's cool to be able to combine old and new.
What I didn't really understand, but then I thought this makes perfect sense, as well - was how many people responded to it by being like, "It was just so nice to take a break." Because even the humor - the great stuff that Samantha Bee and John Oliver and Seth Meyers are doing - it's all anger humor. And for somebody to say, "Hey, we're all idiots," and just be able to laugh at ourselves and be able to connect through that. It's always about connecting with someone, never about scolding them. The only thing I knew right upfront is we're not going after [Donald] Trump supporters.
The thing about 'Batman Begins' is that he's a character that people thought they knew a lot about, and yet you're able to identify the spirit in his life where even in the comic books it's not explored that much.
The great thing is these days I no longer have to work for a living and that all of the things that I'm able to do where money is paid as compensation for whatever it be, I'm able to donate all of that to charity. That's a wonderful position to find yourself in at the latest stages of your life and I'm proud to have walked the path that I have and I'm proud to be able to continue working and to be able to give away what I earn to some very good causes here in the Southwest.
In the future, I think you are going to want to capture a whole scene, a room, to be able to transport to that. To be able to stream what you are doing live and have people be able to interact in that space.
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