A Quote by Sabrina Carpenter
My focus is on music. I want to be able to see the world and meet fans everywhere. I think that's the priority for me and I literally couldn't be doing anything else.
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I don't think that I have much power at all, and I don't think that I'm trying to do anything outside of making my fans happy with the music that I write and record and, of course, I want to branch out and I want to have more fans, so I try to get interviews and I try to talk to different outlets and I try to get my music everywhere it can be.
Right now, when it comes to making an album, we really want to give our fans just Linkin Park. We don't want to water it down with anything else or confuse it with anything else. Meteora is just us and that's where our focus has been. So hopefully the fans can enjoy that.
I just don't really listen to music. I'm probably missing out, but I don't want to know what everybody else is doing. Nobody is strong enough to not be influenced. And I don't mean influenced by copying - I'd be influenced because I wouldn't want to do what someone else is doing. I want to be able to do whatever I feel like doing and not worry about anything.
First we have to see. Or first we have to be taught to see. We have to be taught to see here, because here is everywhere, related to everywhere else, and if we don't see, hear, taste, smell and feel in this place - not only will we never know anything but the world of sense will be by that much diminished everywhere.
I got so far away from what they told you in acting class: Do something different. Producers kept offering me the 'Sister Act' movie, but I said, 'My fans don't want to see me in a wimple.' I literally said, 'My fans don't want to see me in a wimple.'
Anything that we can do to bring the fans closer to what we do each and every day I think is a good thing, and if it wasn't for fans, we wouldn't be able to be out here doing this sport.
I generally concentrate on work for three or four hours every morning. I sit at my desk and focus totally on what I’m writing. I don’t see anything else, I don’t think about anything else.
I will do anything. Anything, Blaire, just to be near you. I can’t think about anything else. I can’t focus on anything. So never think you’re inconveniencing me. You need me, I’m there.
I put a lot of work into my mixtapes, and I want everybody to understand I am doing this genuinely. I don't even want to be paid for this; I just want you all to hear my music and appreciate it. I think it brings me closer to my fans because they know I'm doing this for them and not just to get the bucks.
What inspires me is the desire to be on. The desire to be successful. The desire to reach people through my music and make a living off it and never have to do anything else. Being able to do music full time and travel the world and share this music with everybody. That's the dream.
I want my music to be able to tell a story about what I've experienced and what I think my fans will be able to understand also.
I think something that's so amazing, and why I really wanted to get into modeling, was to be able to travel, to be able to see the world and live in this glamorous world and meet all these different people.
Once you've changed who you are or who you've portrayed in your music, the fans, they'll catch it... Once I feel like the world knows me for anything else but my music, then I feel like I failed.
There's a gratification that comes from performing in front of a live audience, and you can't replicate that with anything else. In the studio, the creation part of this business is fun. But, when you see the fans letting you know that they enjoy what you're doing, that's why I keep doing what I do.
I'm very proud of all the bluegrass-oriented albums. It just reminded me and my fans that I should always record acoustic music and country records, along with anything else that I might want to do.
I think to be honest, that being is inside. I meet that being in so many people that I meet everywhere in the world and when I do meet that being, in other people, what I want to ask is "How do we keep opening ourselves so that we can become as vulnerable and as willing to live in the deepest complexity and ambiguity and truth that we can?
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