A Quote by Sabrina Carpenter
The first songs I learned was 'Crazy' by Patsy Cline and 'At Last' by Etta James. I had been growing up with the Beatles, Pink Floyd, great bands.
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I got my influences from 70s bands - Zeppelin, Pink Floyd, blah blah blah. When I was growing up, we had all these crazy bands on the Top 40. Today, if Pink Floyd released "Money", it wouldn't even get played.
I got my influences from '70s bands - Zeppelin, Pink Floyd, blah blah blah. When I was growing up, we had all these crazy bands on the Top 40. Today, if Pink Floyd released 'Money,' it wouldn't even get played.
I've been to two stadium gigs in my life. One was James Brown and the other was Pink Floyd. They both sounded the same. I couldn't tell the difference between James Brown and Pink Floyd. I've never liked stadiums.
I grew up listening to Patsy Cline. I was a huge Patsy Cline fan. I still am. Even though she's considered country, I think of her more as a blues singer. She's got a great blues voice, and she has such an amazing story, which I always loved.
That's what bands like Pink Floyd and bands like Rush and even the Metallica of this world have, which is long, ambitious songs that pull in all different directions.
The reason I got into music was obviously because of bands like The Beatles and Pink Floyd, things like that.
When I was a kid my Dad never let me sing Patsy Cline songs for one simple reason: they've already been done.
We're not ignored by The Guinness Book Of Records, but we've been largely ignored by the media during our lifetime. If you read any article, no mention is ever made of Pink Floyd. We're never included in the same sentences as The Beatles, The Rolling Stones and The Who. I wrote 'The Wall' as an attack on stadium rock - and there's Pink Floyd making money out of it by playing it in stadiums! Pathetic. They spoiled my creations.
Growing up, I had a natural love for women like Diana Ross, Mary Wells, Ella Fitzgerald. Then I got into Dionne Warwick, Nina Simone, and Patsy Cline.
When I get 13 or 14 years old, I get crazy with rock music, like, like, deeply crazy. And one of my favorite bands at that moment was, for example, like - bands like Metallica or Led Zeppelin, Black Sabbath, Pink Floyd and Santana, you know? And then I start to play metal, actually, when I was - at the age of 15.
So by the time the 60s rolled in that became a huge art form in its own right with bands like the Beatles and the Rolling Stones and Hendrix doing total concept albums, same thing with Pink Floyd.
When punk came along, I found my generation's music. I grew up listening to the Beatles and the Rolling Stones and Pink Floyd, 'cause that was what got played in the house. But when I first saw the Stranglers, I thought, 'This is it.'
Pink Floyd are one of a handful of bands I've listened to a lot and whose concerts I've been to. I love the experience. I don't dance; I just jig up and down like everybody else.
I've been in The Who, I've been in The Beatles and I've been in Pink Floyd! Top that!
I didn't have bands that I was playing with growing up, so I learned to try to adapt and play these songs that were guitar songs on the piano, and sing them.
That's always attractive to me, to work with music whose form is a big question mark. Even many of my favorite bands growing up, when I was just a kid learning to play drums and guitar and everything, were bands like Pink Floyd, where the arrangement, the number of bars in each section is unconventional and often lopsided, and there will be small little instrumental interludes and that sort of thing. So those odd forms, as well as dark content, are the things that I think are continuous through all the type of projects that I've been attracted to.
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