A Quote by Sabrina Carpenter
I think the song itself, 'Smoke and Fire,' is just a metaphor for the feelings that you feel in a relationship.
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Set your guitars and banjos on fire and before you write a song smoke a pack of whiskey and it'll all take care of itself.
I think the emotion that song carries makes it good. Because you have to produce around something - an emotional attachment and a feeling. The melody itself has a feeling in it. The keys, the tones, frequency, sonics, all of those have feelings in it. Like, it's the ghost within, the music itself. That's what makes the song even have a possibility of being great. The emotional connection. Because if you don't have that, I don't think you really have a song.
Before I became famous I used to think there's no smoke without fire. But believe me, there can be a fire without smoke.
Creativity is more about taking the facts, fictions, and feelings we store away and finding new ways to connect them. What we're talking about here is metaphor. Metaphor is the lifeblood of all art, if it is not art itself. Metaphor is our vocabulary for connecting what we are experiencing now with what we have experienced before. It's not only how we express what we remember , it's how we interpret it - for ourselves and others.
We must pass like smoke or live within the spirit's fire;
For we can no more than smoke unto the flame return
If our thought has changed to dream, our will unto desire,
As smoke we vanish though the fire may burn.
Three of the four elements are shared by all creatures, but fire was a gift to humans alone. Smoking cigarettes is as intimate as we can become with fire without immediate excruciation. Every smoker is an embodiment of Prometheus, stealing fire from the gods and bringing it on back home. We smoke to capture the power of the sun, to pacify Hell, to identify with the primordial spark, to feed on the marrow of the volcano. It’s not the tobacco we’re after but the fire. When we smoke, we are performing a version of the fire dance, a ritual as ancient as lightning.
The smoke from the fire passes through the building and the soot affixes itself to the walls. The smoke passes through the air and keeps going - liberation.
I think there are shades of political songs; some are more subtle and can be more effective for being subtle, for being more metaphorical. I've written a lot of songs like that, where it's not really clear if it's a war song or a relationship song. The metaphor can be the most powerful thing of all, but sometimes you have to speak more clearly to more people, and I think this is one of those times.
In the other gardens
And all up the vale,
From the autumn bonfies
See the smoke trail!
Pleasant summer over
And all the summer flowers,
The red fire blazes,
the grey smoke towers.
Sing a song of seasons!
Something bright in all,
Flowers in the summer
Fires in the fall!
Thinking gives off smoke to prove the existence of fire. A mystic sits inside the burning. There are wonderful shapes in rising smoke that imagination loves to watch. But it's a mistake to leave the fire for that filmy sight. Stay here at the flame's core.
I'm not a malicious person. When you get past the tattoos and leather, I give people a fair shake. There are periods when I've sowed some wild oats, no doubt about it. And I can party with some of the heavyweights. There are some stories about me that, yeah, where there's smoke there's fire. But sometimes the smoke is just smoke.
It's difficult for me to describe my own music; every song is an experience that I set to music. There's no lyrics, no singer, just instruments, but I'm sure you can feel what the song is talking about just by listen to it. I can't describe a feeling, my songs are feelings.
Surely where there's smoke there's fire? No, where there's so much smoke there's smoke.
The Godhead is never an object of its own knowledge. Just as a knife doesn't cut itself, fire doesn't burn itself, light doesn't illuminate itself. It's always an endless mystery to itself.
Fiction writers learn about the development of metaphor, the use of rhythm, the way that language is compacted in order to express the feelings of - express their own feelings and the feelings of their characters.
What did you put in the fire?" Kaladin said. "To make that special smoke?" "Nothing. It was just and ordinary fire." "But, I saw-" "What you saw belongs to you. A story doesn't live until it is imagined in someone's mind." "What does the story mean, then?" "It means what you want it to mean," Hoid said. "The purpose of a storyteller is not to tell you how to think , but to give you questions to think upon. Too often, we forget that.
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