A Quote by Sabrina Carpenter
What you wear onstage is a reflection of your artistry.
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I feel like I wear kind of the same things on stage that I would wear every day, unless I'm being lazy, and then I just wear trackies. But actually, if I'm honest, I wouldn't really walk down Kilburn High Street in a leotard, and I would wear that onstage.
I've been known to wear pajamas onstage for the sole reason of wanting to make sure I'm free enough to execute new things vocally onstage and give my best performance possible.
Maintaining a sense of your personality grounds you in your space. I try and just make what I wear a reflection of how I feel at that moment, at that particular place in time.
Ever since I was a kid I just thought that women had the better outfits, women had the better hair, women got to wear makeup. I just got jealous of what women got to do onstage. You dress up a man and ultimately it's just a different variation on the same kind of suit. There's a whole wide world of what women wear onstage.
Sometimes I think I'm more comfortable onstage than I am in my own room. When I get onstage, it's kind of like your chance to let go and be something that you're not maybe. It's your time to dream.
I really do feel now that the way I dress onstage and for work is a true reflection of my own sense of style as well.
What I wear onstage is so stylized and bold.
I always wear the same thing onstage.
When it comes to creativity, or my artistry, when it comes to how I wear my hair and what I'm dressing like, some things I'm going to fight for; and it's really about picking the battles, but usually I'm not backing down.
I wear a hat on stage so that people won't be blinded by the reflection from my head. Also, if I don't wear a hat, there's no way that the hat can be at that level by itself on the stage.
The aesthetic came along the way, I think - just through experimenting, and going on tour, and trying stuff out on stage, having fun with it, and not taking it too seriously. If I had a ballgown at home, I'd wear it onstage. If I found something in a charity shop, I'd wear it. That's where it grew from - just wanting to play dress-up.
I think your posing and your onstage presentation is yet another piece of the craft. So anytime you get onstage to show the muscles and show the finished work, that should be looked at with the same kind of respect and appreciation. I'm glad everybody else appreciates it, but I still want to get better.
Onstage, it's all just a heightened and more elaborate version of me. When you're standing onstage, your adrenaline is going, your enthusiasm is at full tilt, and the excitement helps elevate you're attitude. I've always wanted to be as close to myself offstage, being funny with my buddies, and that's what I've worked hard on - being authentic to who I really am.
In order to reflect, think and plan, you must quiet yourself. You can't see your reflection in churning waters. Water must be still to see your reflection.
I have four or five custom suits, including one that's velvet, and a gray one I wear onstage. It's wool.
What I wear is a reflection of where I am going and how I am feeling. If I'm in a good mood, it's got to be cashmere and jeans - just something comfy, soft and warm. When I'm down, I might find something that I haven't worn for a while that was bought for me - or wear a brooch or a pair of shoes that are like old friends.
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