A Quote by Sabrina Claudio

I'm Cuban and Puerto Rican and Miami is very Cuban oriented. Growing up around the music - all of the salsa and meringue influenced me as an artist. I find myself gravitating to latin influences, sounds.
Growing up in Miami, I had all these great, strong influences. You know, being Cuban and the Latin influence, but also the strong hip-hop influence.
It is so important for me to keep authentic Cuban sounds alive. All of these great artists have changed the landscape of Latin music and it's an honor to have them on this album ["90 Millas," released in September of 2007]. I believe this album will expose a new generation to the richness of Cuban music.
Maria Canals-Barrera is Cuban and from Miami and I'm part Cuban and from Miami, so needless to say she became a quick friend.
In Texas, if your name is Carlos, you're a Mexican. In Florida, you're a Cuban. In New York, you're a Puerto Rican. And I come here and I find out I'm an Eskimo.
Growing up in Miami, I had all these great, strong influences. Being Cuban and the Latin influence, but also the strong hip-hop influence. I know that people everywhere listen to hip-hop, but especially being from the South, you really get that influence. You go out, you party, and it's just always there.
I'm from a Cuban family, so we're used to talking really loud. You come to a Cuban restaurant anywhere in Miami, and we're practically screaming at each other.
I feel like I got my first real taste of Caribbean and Cuban culture while I was there. I have quite a sizeable Cuban vinyl collection from Miami thrift stores.
Being a Puerto Rican artist, I support all kinds of projects that are developed on my beautiful island that in some way or another put our Puerto Rican flag up.
I lived in the Caribbean when I was a teenager, so I learned about Salsa and Cha-Cha and all these Latin Afro-Cuban music like Gillespie and Duke Ellington, also bridged with Jazz. But my mother is Greek, and so I've also listened a lot to Greek music. And through the years to Balcanic music to Arabic music because my father loved music from Egypt.
I was born in Honduras, that's where I was born. I live in California, where no matter what you say, you're Mexican. You understand that? It doesn't matter what you say. See - you don't understand that, white people, because wherever you go, you're white. You're here, you're white. You go to L. A., you're white. You go to Denver, you're white. You go to Miami, you're still white. In L. A. I'm a Mexican, In Florida, I'm a Cuban. In New York, I'm a Puerto Rican. And when I come to Canada and I find out I'm an Eskimo.
Growing up in Miami, being Cuban is integrated into our culture. When we greet anyone, we give them a kiss on the cheek.
I'm Cuban-American, everybody says. I have a Cuban background, Cuban blood.
I looked to many, many filmmakers. I was influenced by the Neo-Realists, and by the Cuban, and the Latin American cinema, the '70s, European experimental work. And fortunately, all those influences gave me the strength to think, "I can make my way. I'm a creative person, I can try to create a way that is uniquely mine because I've seen so much, and I've experienced so much."
I grew up around salsa, merengue, bachata, bass music, freestyle, hip-hop, techno, house, rave. Miami is special for that. It's a city where you don't know if it's more a part of the US, or of the Caribbean, or of Latin America, or of Europe.
I grew up dancing salsa - you know, a traditional Puerto Rican dance.
So many people in this country have a dual loyalty. They have loyalty to America, but they also are determined to have their parade up Fifth Avenue once a year... a Cuban parade or a Puerto Rican parade - many other countries. So they really don't forget.
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