A Quote by Sabrina Jeffries

The man is always the last to know when Cupid has struck him -Anonymous, Memoirs of a Mistress — © Sabrina Jeffries
The man is always the last to know when Cupid has struck him -Anonymous, Memoirs of a Mistress
Women. You'll interpret anything as love. You see a man wearing an idiotic expression, and you assume he's been struck by Cupid's arrow when in reality, he's digesting a bad turnip.
The young mouse's eyes snapped open, clear and bright. He swung the ancient sword high and struck at the giant adder. He struck for Redwall! He struck against evil! He struck for Martin! He struck for Log-a-Log and his shrews! He struck for dead Guosim! He struck as Methuselah would have wanted him to! He struck against Cluny the Scourge and tyranny! He struck out against Captain Snow's ridicule! He struck for the world of light and freedom! He struck until his paws ached and the sword fell from them!
Judas is neither a master of evil nor the figure of a demoniacal power of darkness but rather a sycophant who bows before the anonymous power of changing moods and current fashions. But it is precisely this anonymous power that crucified Jesus, for it was anonymous voices that cried 'away with him! Crucify him!'
Woe to the man who in the first moments of a love-affair does not believe that it will last forever! Woe to him who even in the arms of some mistress who has just yielded to him maintains an awareness of trouble to come and foresees that he may later tear himself away!
When I retire, I don't want to just move to some island somewhere. I want to be the guy who gives it all back. I want it to be like, 'Hey who donated that hospital wing that's saving so many lives?' 'I don't know. It was anonymous.' 'Well, guess what. It was Michael Scott.' 'But how do you know? It was anonymous.' 'Because I'm him.
Every man supposes himself not to be fully understood; and if there is any truth in him, if he rests at last on the divine soul, I see not how it can be otherwise. The last chamber, the last closet, he must feel, was never opened; there is always a residuum unknown, unanalyzable. That is, every man believes that he has a greater possibility.
It kind of struck me how great it would be to go out with a guy that size. And if you, you know, got tired of dating him, you could always use him as a house or something.
Cupid and my Campaspe play'd At cards for kisses - Cupid paid: He stakes his quiver, bow, and arrows, His mother's doves, and team of sparrows; Loses them too; then down he throws The coral of his lips, the rose Growing one's cheek (but none knows how); With these, the crystal of his brow, And then the dimple of his chin: All these did my Campaspe win. At last he set her both his eyes - She won, and Cupid blind did rise. O Love! has she done this for thee? What shall, alas! become of me?
In the beginning there was Isis: Oldest of the Old, She was the Goddess from whom all Becoming Arose. She was the Great Lady, Mistress of the two Lands of Egypt, Mistress of Shelter, Mistress of Heaven, Mistress of the House of Life, Mistress of the word of God. She was the Unique. In all Her great and wonderful works She was a wiser magician and more excellent than any other God.
Stupid cupid you're a real mean guy, I'd like to pick your wings so you can't fly, I am in love and it's a crying shame, and I know that you're the one to blame, hey, hey set me free, stupid cupid, stop picking on me.
In the worst memoirs, you can feel the author justifying himself - forgiving himself - in every paragraph. In the best memoirs, the author is tougher on him- or herself than his or her readers will ever be.
What could he mean by speaking so, as if I were always thinking that he cared for me, when I know he does not; he cannot. ... But I won't care for him. I surely am mistress enough of myself to control this wild, strange, miserable feeling
I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.
Reverence is a good thing, and part of its value is that the more we revere a man, the more sharply are we struck by anything in him (and there is always much) that is incongruous with his greatness.
The old men of the village of Mahotière say that the Mistress of the Water is a mulatto woman. At midnight she comes out of the spring and sings while combing her dripping long hair, which makes a sound sweeter than a violin. It is a song of perdition for whomever hears it. There is no sign of the Cross, no "Our Father" to save him. Her curse takes him like a fish in a net and the Mistress of the Water awaits him on the edge of the spring and smiles upon him and tells him to follow her to the depths, from which he will never return.
I love memoirs, particularly obscure ones because the writer is usually a regular guy just telling what happened to him and to his friends. What these tales lack in artfulness they make up for in passion and authenticity. For a writer of fiction, they are solid gold. I have stolen so much from memoirs it's ridiculous.
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