A Quote by Sabrina Ward Harrison

Barefoot travel allows you to get the true feel of a place. — © Sabrina Ward Harrison
Barefoot travel allows you to get the true feel of a place.
People ask me, 'What is the mystique of the Texas songwriter?' Well, we ran barefoot from March until November. I think there's something about being a barefoot kid that gets you closer to the place - you take root.
I've been barefoot most of my life: either flip flops or barefoot on the pool deck. Although you'd think that would make me a good candidate for barefoot running, that doesn't work with me.
The two impulses in travel are to get away from home, and the other is to pursue something - a landscape, people, an exotic place. Certainly finding a place that you like or discovering something unusual is a very sustaining thing in travel.
When you ask "Do you wanna dance, my barefoot Cinderella? Don't need no slippers or a party dress,the way you're lookin' right now is what I like the best", and then you... Say "do you wanna take a chance? Stay with me forever, no one will ever be more beautiful my barefoot, my barefoot Cinderella.
I like to watch Bourdain and Andrew Zimmern, because I like them when they travel. I like Ina Garten, 'The Barefoot Contessa.' Giada is really nice, but I get a little bit bored with just staying in the kitchen.
Cuba was fantastic, at least just in terms of... Not to romanticize or glorify it, but just seeing a place that had not really been touched by the hand of American capitalism. Because it's a genuinely different place. A lot of times when you travel, things start to feel the same from place to place to place, because the same people own everything all around the world.
I don't walk barefoot. When I see a girl barefoot in the street... I'm like, 'Really?' But obviously, I can't judge someone for that first impression.
Yes, I started by running barefoot. My feet used to slip in canvas shoes. So we put them aside and ran barefoot.
The more that you travel the more you get the sense of the word as a larger place and the more you get a sense of the variety of history and mythology. And when you know about these things you can incorporate them into what I feel is a more rich and more large tapestry of fantasy.
I feel like I've always wanted to live in one place and stay in one place, but I always end up choosing things that make me travel.
A lot of people get home from work and sink into a good chair, the place in their life where they feel most comfortable. I get that comfort in space, the place where I most feel like I belong.
Unless there is a strong sense of place there is no travel writing, but it need not come from topographical description; dialogue can also convey a sense of place. Even so, I insist, the traveler invents the place. Feeling compelled to comment on my travel books, people say to me, "I went there"---China, India, the Pacific, Albania-- "and it wasn't like that." I say, "Because I am not you.
I feel like I've finally got to this place that I really want to be. The place where, in my fantasy, the characters just get up and walk around - this interstitial place between humans and dolls. But I also feel like, where am I supposed to go from here? Because this feels like the place I've always wanted to be, for my whole life of shooting.
We actors don't travel as tourists with a camera, we really get to enter the life of a place and get to know it.
We travel, initially, to lose ourselves, and we travel, next, to find ourselves. We travel to open our hearts and eyes. And we travel, in essence, to become young fools again—to slow time down and get taken in, and fall in love once more.
I was always taught that a woman's place was in the kitchen, barefoot and pregnant. And I'm a firm believer in that.
This site uses cookies to ensure you get the best experience. More info...
Got it!