Dictators are ludicrous characters, and, you know, in my career and in my life, I've always enjoyed sort of inhabiting these ludicrous, larger-than-life characters that somehow exist in the real world.
I enjoy playing real human beings after playing a lot of larger than life characters. I love playing true to life characters and that is what I intend to do for the majority of my career.
There are characters in movies who I call 'film characters.' They don't exist in real life. They exist to play out a scenario. They can be in fantastic films, but they are not real characters; what happens to them is not lifelike.
We all have to show up and do our job regardless of our life circumstances or situations. We don't have to do it with an attitude or whatever but maybe we do that day. Everyone understands that life happens and we have to create a whole other life where our life doesn't even exist. You know, our real life doesn't exist, these characters exist. And that is our life. And that's who we are.
If I can get the audience to connect with the characters emotionally - and they love who they are, they love the larger-than-life situation that they're in, but most of all get the audience invested in the characters - then I always feel like I can sort of put them in the most outrageous circumstances, and the audience is okay to go with that.
But to be perfectly frank, this childish idea that the author of a novel has some special insight into the characters in the novel ... it's ridiculous. That novel was composed of scratches on a page, dear. The characters inhabiting it have no life outside of those scratches. What happened to them? They all ceased to exist the moment the novel ended.
I like characters. I like spirited characters whether they exist in fiction or real life. Whether they're the invention of artistic people or directors, musicians. I think music and art and fashion designers inspire me and I like characters.
The lovely thing about writing is, well, two things. One, writing fiction allows us to bring an order to our lives that doesn't exist in real life. And two, it allows us to create human characters that we know better than we will ever know anyone in real life.
It's funny what [producer Richard Zanuck said about even though you can't quite place when the book or the story came into your life, and I do vaguely remember roughly five years old reading versions of Alice in Wonderland, but the thing is the characters. You always know the characters. Everyone knows the characters and they're very well-defined characters, which I always thought was fascinating. Most people who haven't read the book definitely know the characters and reference them.
I was really into more over-the-top, entertaining kind of characters, larger-than-life types of things. That's the part of wrestling that I really enjoyed.
Comedy springs from the ludicrous; but the ludicrous is stuck in the muck of reality, resolutely hostile to what is impossible.
My characters are fictional. I get ideas from real people, sometimes, but my characters always exist only in my head.
I'm mostly a historical romance reader, but I never miss a Susan Elizabeth Phillips book. Her characters are larger than life and heartbreakingly real at the same time. I don't know how she does it.
My whole career has been fulfilling my childhood fantasies, playing characters that are larger than life, getting to play a knight, an elf, a prince, and a soldier.
George Soros is one of the few characters from the world of finance who deserves to be called larger-than-life.
Larger-than-life characters make up about .01 percent of the world's population.
What was so brilliant about 'Girls' was that they allowed their characters to be ludicrous and selfish and faulted but didn't shy away from a deeper psychological foundation for that neuroses.