A Quote by Sacha Dhawan

I loved 'Shantaram' by Gregory David Roberts, which is going to be made into a film. It's an amazing story about an Australian guy who escapes from prison and his first port of call is Mumbai.
'Shantaram' is fantastic. An Australian prisoner escapes & joins the mafia in India? Sign me up. I love stuff that is based on true stories.
Shantaram is the second in the series of a quartet of novels that I have planned about my life but is the first to be written. The third book is a sequel to Shantaram, the first a prequel.
'Shantaram' is the second in the series of a quartet of novels that I have planned about my life but is the first to be written. The third book is a sequel to 'Shantaram,' the first a prequel.
I've never done a movie in that genre, and I love a lot of those movies. I watched the director's [David Freyne] short film [The First Wave], which I loved. And the script was just so good. He's found this way to tell a new story.
How do we know when someone like Hasan is going to make his move and do we know he's an Islamist until he's made his move? He makes a phone call or whatever, according to Reuters right now. Apparently he tried to contact al-Qaida. Is that the point at which you say, "This guy is dangerous?" That's not a crime to call up al-Qaida, is it? Is it? I mean, where do you stop the guy?
I make a film - and once I've made it, everyone comes along and says 'Ah! This is a film that's political, or social', or whatever. But I'm not telling the story that they see. I made a film, told a story, but I wasn't thinking about exactly what it all meant.
When I made my first film I was 25 years old, and that's pretty rare. Being so young my experience and the thing that I wanted to talk about was teenagehood, plus in France we have that strong tradition of the coming-of-age story being made as your first film.
When I went out to shoot for the first time, I thought this was going to be about the prison industrial complex, purely about prison for profit and the ways in which there's an industry making money and profiting off punishment.
I call my ring Procter and Gamble, because David paid for it through his first commercial from Head & Shoulders. When I met David, he was waiting tables. He was below broke, in deep debt, but I followed my heart. When you're looking for a mate, don't look at his current status, but his present potential that will become a part of his future.
I am humble. It was an honor, and I cried the first time I saw the film His Way. Because to have people of that caliber, like Julia Roberts, take the time to sit down and give a day or two of their lives to a film about me, that they're not getting paid for, is pretty extraordinary.
Kids are growing up in communities in which they see their loved ones cycling in and out of prison and in which they are sent the message in countless ways that they, too, are going to prison one way or another. We cannot build healthy, functioning schools within a context where there is no funding available because it's going to building prisons and police forces.
My food hero would be someone like Elizabeth David, because I think what she did for Britain was amazing. Also David Thompson, an Australian chef who does Thai food and really understands the basis of it, has always been very inspiring.
Whenever I study a genre of film-making, Steve Spielberg is the first guy I go to. Even Catch Me If You Can, which is a very lightweight kind of thing, if you just look at the economy of the way he designs his shots and works around actors, the craft is amazing.
My first teacher was Steven Spielberg. I worked on Amazing Stories. That was my first job, as a writer and as a story editor. Watching him and his command of the tools of filmmaking, and his admiration for writing and the story itself, was the greatest lesson I ever had.
I loved David Lean, he had a huge influence on me when I was going to film school.
'Bubba Ho-Tep' was an accidental story that turned out to be my first film adaptation, and it's still going strong in story and film.
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