A Quote by Sacha Dhawan

There are certain roles - say, terrorist roles - that if I don't feel like it's something truthful, I'm not going to do it. — © Sacha Dhawan
There are certain roles - say, terrorist roles - that if I don't feel like it's something truthful, I'm not going to do it.
Women in their 40s have gone through quite a few different things, and so the roles are going to reflect that. People say, 'Oh, it's done by 40,' and now everyone knows it's not. I actually feel like the roles are a lot more interesting.
Roles that involved, whether it be training, whether it be physicality, getting skinny, there's some investment. There are roles that you do like that and sometimes there are roles that you do to make sure your family doesn't starve, but then you have to still say, "Is there something I can do with this? Can I do something with this that will be fair to the people watching it and fair to my time as well?" I'm at the point where that luxury of choice is getting more and more for me, absolutely, but it's more primarily roles that are more demanding of me in every way.
I want to play roles that I'm proud of, that I feel a certain integrity about, and I want to continue to be truthful in the work that I do.
I'm not getting into rooms for cis roles. I started my career auditioning for those roles, and then I went to play trans roles. And now, I feel boxed in.
I would probably choose supporting roles if I had to make a choice. It's actually a really hard thing to say. It's all on a role-by-role basis, ultimately. I shouldn't be so quick to say that. I feel like you're given greater license to be colorful and eccentric in supporting roles, and that's interesting to me.
I don't want to do 'Hamlet.' I don't want to do Robert Redford roles or Mel Gibson roles or Kevin Costner roles, because I'm not going to be good at them.
We had a moment in the '40s and '50s, where female characters were very strong in film, where these incredible roles were written for women like Joan Crawford, like Bette Davis. But then there was a space of time where - I don't know why - it wasn't like that. It became difficult for women to find certain roles after a certain age.
What I have wanted to do is take roles that are unexpected for people who look like me. Roles that the establishment would say, 'Oh, she couldn't possibly be that.'
I like roles that bring the unexpected. Roles that may challenge the way people think about things and perceive things. And I like roles that reflect a reality.
There's a small movement of teacher-led schools across the country. These are schools that don't have a traditional principal, teachers come together and actually run the school themselves. That's kind of the most radical way, but I think something that's more doable across the board is just creating career ladders for teachers that allow certain teachers after a certain number of years to inhabit new roles. Roles mentoring their peers, helping train novice teachers to be better at their jobs, roles writing the curriculum, leading on lesson planning.
Let us look at international institutions and trusts. Trusts have a certain roles and unless you define what their roles are, what is it that they control? Are they controlling the day-to-day operations? If you do that, then what is Tata Sons for? What are the operative companies for? Effectively, you need to have clarity on the roles of different players inside a structure. That is the governance framework.
At times, I have had the opportunity to play character roles in movies like 'Kathavasheshan.' Still, I act in all the roles I am offered if it has something special.
There's plenty of girlfriend roles out there. They've come my way, and many people have turned them down, and I think, "Oh maybe I could do something with this." It's interesting when you get those roles, which seem like nothing on the page, and you kind of subvert them. It's hard to say no.
I liked the character very much and even in general roles like this entice me. I started my journey in Punjabi film industry with negative roles, and then gradually comic roles and situational comedy fell into my kitty.
Usually being a young actor, you've got to go through certain levels of hierarchy, going through bit parts and extra roles and then kind of progressing up the food chain and having the size of your roles grow in that sense.
I could play Arab roles, even German roles, Italian roles because I had that look.
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