A Quote by Sade Adu
Most of my lyrics are little stories about my experiences or those of my friends.
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Like most people, I find my own experiences - and my emotional responses to those experiences - fascinating and mysterious, even those that are a bit shaming and a little repellent.
First we start with the lyrics. Most of the lyrics are done by Stefan Kaufmann and me. When we have enough lyrics and enough stories we have the lines to make titles. Then we collect all the ideas of everybody in the band and see which ideas fit together the best with the lyrics to get the right atmosphere. That's the way we compose.
I tell people to write the stories that you're afraid to talk about, the stories you wish you'd forget, because those have the most power. Those are the ones that have the most strength when you give them as a testimony.
Fortunately, most of my friends in comedy that smoke pot are almost as open about it as I am, and in some cases more so. But most that appear, it's more about friendship with me than making some statement about pot. I'm sure those of my friends who are onscreen smoking might have a little regret, but there's not too much of it.
I'm aware of narrating certain experiences as they happen or obliterating those experiences with narrative and then those stories - not the experiences themselves - might become material for art. This kind of transformation shows up a lot in 10:04 because the book tracks the transposition of fact into fiction in the New Yorker stor
You've read newspaper stories about elderly widows who die and leave their entire estates to their pet cats, right? Well, your cat reads those stories too, and has spent most of its skulking, devious little life dreaming about inheriting all your money.
I didn't want the lyrics to be about specific things in my life, I wanted them to be about generalised experiences I'd had. So when I'm writing about relationships or somebody leaving you or something, a lot of lyrics are partly about failed relationships I'd had, but they were also about my Dad, and being abandoned as a kid.
We treat the lyrics like the woman any man wants to impress the most. We give the lyrics all the attention we can. I'm not sure other formats are remembering that the lyrics are what it's all about.
Write about your experiences! When I moved to L.A., I didn't have any friends, and the office janitor was the person who I saw the most. He would always come in at around 10:00 P.M., and I would still be at my desk, so I wrote a play about a first-year TV writer and the friendship that she developed with the janitor. Our stories matter.
When you spend time with your friends, what do you talk about? Those things which made an impression on you that day, that week ... I write stories the same way. Events at home, in school, at work, in the street, these are the bases for a story. Some experiences leave such a deep impression that instead of talking about them at the club I work them into a novel.
I have only a couple friends, but I've known them since, like, you know, fourth grade or something. I've never changed anything about my little group of friends. I think if you're just smart, and you have the friends who care about you most, that's really all that matters.
I didn't even write the lyrics down. I got in the booth, I put down a little guitar riff and the idea I had was it was going to be really simple, I just want it to be all about the lyrics and I just literally sang the lyrics.
That larger story in 'Salvage the Bones' is just about survival, and I think that, in the end, there are things about this novel and about these characters' experiences that make their stories universal stories.
People’s stories are the most personal thing they have, and paying attention to those stories is just about the most important thing you can do for them.
Most of the lyrics are rooted in my own experiences. But there is some sheer fabrication.
Now, the term 'friend' is a little loose. People mock the 'friending' on social media, and say, 'Gosh, no one could have 300 friends!' Well, there are all kinds of friends. Those kinds of 'friends,' and work friends, and childhood friends, and dear friends, and neighborhood friends, and we-walk-our-dogs-at-the-same-time friends, etc.
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