A Quote by Sade Adu

All the cliches of glamorous sophistication have little appeal to me. Do I want to live the British version of 'Dynasty?' No thanks! — © Sade Adu
All the cliches of glamorous sophistication have little appeal to me. Do I want to live the British version of 'Dynasty?' No thanks!
If I have done anything, it is to make ugly appealing. In fact, most of my work is concerned with destroying—or at least deconstructing—conventional ideas of beauty, of the generic appeal of the beautiful, glamorous, bourgeois woman. Fashion fosters clichés of beauty, but I want to tear them apart.
Beware of clichés. Not just the ­clichés that Martin Amis is at war with. There are clichés of response as well as expression. There are clichés of observation and of thought - even of conception. Many novels, even quite a few adequately written ones, are ­clichés of form which conform to clichés of expectation.
I find it really frustrating when people go, "I want to be famous and glamorous like you." It's hard for me not to have a bad thought when someone says that to me, since if there's anything this business is not, is glamorous. It's only glamorous for maybe five minutes every now and then.
I looked at enough of American Idol in the first weeks, and they're all about humiliation. I listen to Rush Limbaugh because I find it so repulsive. There are people with a little less sophistication who watch a lot of it, because we allow things to appeal to our baser instincts. But at the same moment, give me a little choice, and I'll make a better decision, because I have that ability too. And so does everybody else.
I didn’t and don’t want to be a ‘feminine’ version or a diluted version or a special version or a subsidiary version or an ancillary version, or an adapted version of the heroes I admire. I want to be the heroes themselves.
My dad still hasn't heard 'I Love My Dad,' and I'm sure he'll say something like, 'It's good, but I love your version of 'Little Drummer Boy'!' My dad loves my live albums - he's obsessed with the live version of 'Little Drummer Boy' for some reason.
My number one horror movie is the '60s British version of 'Ten Little Indians.' This movie scared me to death when I was a kid - I still dream about it.
I'm not very sociable. If I get invited to a glamorous event I probably won't go. That world does not really appeal to me.
To idealize: all writing is a campaign against cliché. Not just clichés of the pen but clichés of the mind and clichés of the heart.
We all want to be a little glamorous, a little playful and a little mischievous at times.
When you're a writer, you want to try to avoid cliches. Unfortunately, when you're writing about marriage or family, all cliches seem to apply.
Most Muslims are well integrated, want to live under British law and prefer to send their children to mixed schools. They do not live in bleak ghettoes cut off from society. Their religion is not a barrier to integration and is very often perfectly reconciled with being - and feeling - British.
In a manner of speaking. As we intend for you to found a dynasty. And that dynasty will rule society until it has progressed enough to-" "Overthrow the dynasty in a revolutionary, blood filled coup!" Iggy said eagerly. We all looked at him. "Just saying." He sheepishly took a bite of cookie.
I've never been that uncomfortable talking about it. Things come out [in the media] about me. When it's out, it's someone else's version of what's the matter with me. I want it to be my version of what it is. My recourse is to do my version.
'MaerskKendal' is a rarity with its British flag, the 'LONDON' home port painted on its bow, its two British chief officers, and its portrait of the queen in the mess room, apparently common courtesy on British ships, but a little alarming to me.
I'm sick of the old cliches. Bring me some new cliches.
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