A Quote by Sadie Frost

If the kids did want to get into showbiz then so be it, but I would never project anything on to my children. — © Sadie Frost
If the kids did want to get into showbiz then so be it, but I would never project anything on to my children.
I don't think anyone thought showbiz people know anything. I would suggest interview subjects, were told they weren't such great ideas, and then they would be assigned to somebody else. I wasn't given anything to do. I felt like the highest-paid dress extra in the world.
You do not have to utter anything you do not want to utter,” I told her, and she said, “Then I would never utter another word again.” “You do not have to do anything that you do not want to do.” “Then I would never do anything again.
I'd never seen anything more beautiful - even as I ran, gasping and screaming, I could appreciate that. And the last seven months meant nothing. And his words in the forest meant nothing. And it did not matter if he did not want me. I would never want anything but him, no matter how long I lived.
I want to do roles that take women a step farther. I don't want to be slotted into anything. But if I get a brilliant role which requires me to be a mother, then I will do it. But I want people to see that a woman could be anything at whatever age, even if she is married or has two kids.
My mother was very passionate about life and she would do anything for us. And she had to fight alone to raise us. We never had a lot of money for extras or anything. She had to work six days a week, and then she would do breakfast, lunch and dinner. She was a super-woman! For me, I don't know how she did it with three kids.
I did a Sour Patch Kids commercial. First they're sour, then they're sweet. The Sour Patch Kid throws eggs at me, at my front door, and then comes over and gives me a hug at the end. I also did a Sony PlayStation commercial. They don't give you anything. I thought I was gonna get Sour Patch Kids; I thought I was gonna get a PlayStation.
I never want to produce anything that a family could not enjoy together. I never want to create art that would embarrass my own children later.
What I really want to do is, first of all, get my music out to the world. And then I would really just like to reach other kids all over the world and tell them to believe in themselves and prove to people that you can do anything you want.
I mean, I would never want to do anything to hurt my family, but then again I would never want to do anything to hurt myself. And I think they go hand in hand.
I don't think people should abuse the fact that they are in showbiz. You still have to be human. I think that's the point. Showbiz is about showing human things - just amplified, that's all. And when it gets too much into, "Hey, we're part of the showbiz club and we can do what we want," it turns me off and I hate it.
If I was single and did not have kids, I wonder whether if I would try as hard to be patient, to mind how I react to situations. Not saying people who do not have children don't, but in my life and how I fight against doing the things that have positive impact in my life...I think I would find it easier not to practice the principles did I not have children.
I've actually written a children's film called 'The Myth,' which you could say is like a big 'Harry Potter'-esque fantasy for kids, and that's a film I would love to see get made. That's a dream project of mine.
I've been training fighters about 10 years. And I know I get the kids that nobody else is gonna want. I get kids who violated probation five, six, seven times. Their parents don't want 'em, the police don't want 'em - nobody wants 'em. And so I say, okay, I was like that. Nobody wanted me. Once I found out that a nobody could do what I did, I took a whole bunch of nobodies. When you take a nobody, they're open to anything, so that's what I started working with. I started working with the worst kids that nobody else wants to deal with.
At the end of any of my project I miss the material. I pick subjects I love and then get very engaged with them, so stopping that engagement often feels odd and arbitrary, but there's a moment when I don't want to change anything else and when the shape and length feels right. At that point, continuing would be destructive.
When we grew up and went to school There were certain teachers who would Hurt the children any way they could By pouring their derision Upon anything we did Exposing every weakness However carefully hidden by the kids.
I'm just an actor, and if I can leave something behind that my kids will be proud of, then that's what I want. I don't want my kids to be embarrassed by anything I've done.
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