A Quote by Sadie Frost

My childhood was colorfully anarchic and punctuated by a lot of change. — © Sadie Frost
My childhood was colorfully anarchic and punctuated by a lot of change.

Quote Topics

A lot of the children I photograph are extremely colorfully dressed in some way. But I also find a lot of kids with outsized personalities or who happen to be doing something charming.
In most organizations, change comes in only two flavors: trivial and traumatic. Review the history of the average organization and you'll discover long periods of incremental fiddling punctuated by occasional bouts of frantic, crisis-driven change.
A lot of my stand-up early on was stories from my childhood. And my childhood is over - there's not new childhood stories to come. They've all been mentioned.
When I look back on my childhood I wonder how I survived at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood.
Think, Travel, Celebrate, Charm, Decorate, Dress, Live - colorfully
Childhood has definitely been invented, hasn't it? I think that's because people had children later, and we appreciate and cherish childhood a lot more.
Look, I don't want to wax philosophic, but I will say that if you're alive you've got to flap your arms and legs, you've got to jump around a lot, for life is the very opposite of death, and therefore you must at very least think noisy and colorfully, or you're not alive.
I aim my arrangements at what will fit and colorfully frame the song in the best way possible.
High school is neither a democracy nor a dictatorship - nor, contrary to popular belief, an anarchic state. High school is a divine-right monarchy. And when the queen goes on vacation, things change.
The literal record was not a hopelessly and imperfect fraction of truly insensible gradation within large populations but an accurate reflection of the actual process identified by evolutionists as the chief motor of biological change. The theory of punctuated equilibrium was, in its initial formulation, little more than this insight adumbrated.
I learned that you don't have to be saddled for life with the mental attitudes you adopted in early childhood. All of us are free to change our minds, and as we change our minds, our experiences will also change.
You see a lot of bands and a lot of artists making that mistake: They become successful for doing something, and then they change everything. They change the people; they change the approach. And then, all of a sudden, almost the essence of what you do is gone.
I am somebody who is very comfortable on stage because I have been performing since childhood. I have done a lot of public events as well, though there is a huge difference in my performances today and the ones from my childhood, as earlier, I used to sing bhajans.
The role you've been ascribed in childhood can twist or break apart or seem outgrown, especially when you have your own family and begin to see your own childhood from a different angle. You remember. You reassess. I think that was the kernel of the novel for me. This idea that you change but that your family, the people you were born into, might find that change hard to accept. You no longer fit the mold you've always been ascribed. When the adult children in the book converge back on their small family home there's a sense that they don't fit there anymore.
Melody is disarming. It's anarchic!
But when I realized it was actually going to be this portrait of the artist, birth to death, I had to then discover who Margaret as a young woman would be. I had to find the different voices for her throughout her life. I had a lot of fun discovering that. I had a lot of fun writing the childhood sections. By imagining her childhood, I was able to come up with this voice that matures as she gets older.
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