A Quote by Sadio Mane
Since I was two or three years old, I remember always being with the ball. I would see kids playing on the street, and would join them.
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I remember being 14 years old, making a pact with myself. I would never join into the matrix, never join into the status quo, and I would always fight it. It always felt like I was on an operating table and the anesthesia never worked.
I was 27 or 28 years old when I really decided I would become a manager. I would go home from training at Lazio, grab a folder and pretend I was taking a training session. You know the way kids imagine things, when they are playing? I would do the same as an adult, playing at being a manager.
Ever since I was 7 years old, I was writing. I remember being in the basement of my house, this dank, horrible basement, putting on plays with not-very-willing participants, and I would promise kids in the neighborhood that I'd play Nintendo 64 with them after we'd rehearse this stupid play that I wrote.
And I remember going to the record studio and there was a park across the street and I'd see all the children playing and I would cry because it would make me sad that I would have to work instead.
I've been playing hockey since I was two-and-a-half, three years old.
I've been playing one way or another since I was about three years old. I don't remember not knowing how to play any instruments.
Who would know but ten years ago that kids would be texting each other all the time, that that would be one of their main forms of communication. And so many times, these kids know more about the technology than their parents. And so many times, we're putting kids in very adult situations and expecting them to behave like they're 40 years old.
Certainly when I was a kid, in the early '90s, men couldn't show weakness. It was very much a case of suppressing pain and getting on with it. I remember when I was six years old, I was playing football with kids who were three years older when, one day, I fell over and began to cry. And my dad was like, 'Don't ever let someone see you cry.'
I would sit on the street corners in my hometown of Indianola, Mississippi, and I would play. And, generally, I would start playing gospel songs. People would come by on the street - you live in Time Square, you know how they do it - they would bunch up. And they would always compliment me on gospel tunes, but they would tip me when I played blues.
Of course, the moment when the ball hits the net, that's fascinating for kids playing the game and motivates them to join a club.
I was always really shy. That's why being in front of cameras like this is uncomfortable. I found that when I was a kid, I would hide behind playing pretend. That's when I would come out of my shell. I would dress up as an old man or something and go out onto the street with my mom. I would come out of my shell that way. So I ended up stumbling into acting. It was the one thing that I found a passion for.
If we could magically transport ourselves back to the young Earth, when it was only a billion years old or two billion years old or three billion years old or four billion years old, we wouldn't be able to survive. We would have a hard time surviving if we were transported to the time when dinosaurs were around.
I'd play music on the street, especially in developing nations where a lot of kids couldn't wear shoes. In order to relate with kids that would be following me barefoot, I would take off my shoes, and they would all laugh at me because I couldn't go three steps without wincing.
My fan base is really, really young. They're the youngest demographic that you can track on YouTube: 13- to 17-year-old females. But the fan mail that I get in my P.O. box, they're all from moms and from kids who are two years old, three years old, four years old.
I remember when I was 8 years old when I first started playing organized basketball, and the coaches had the kids in single file doing two-line layups and they were struggling to get the ball up there. Me, I'm doing reverse cradle layups with the backhand spins on it, like, jump from the right side and lay it up on the left side backwards.
When I do the dodecahedron with the science audiences, I'll point out that I can only do three of the five forms with bubbles, since bubbles only join at three-way corners. The two I can't do are the ones that represent water and air. That always gets a big laugh from the mathematicians. They see the irony in it.
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