A Quote by Sadiq Khan

When I was growing up, anyone who wasn't white was black. It meant all of us. Though when I was at university, we started to be called Asians. — © Sadiq Khan
When I was growing up, anyone who wasn't white was black. It meant all of us. Though when I was at university, we started to be called Asians.
Growing up in London, with a hippie mom, I don't know that I'm most people's definition of what a black person is. I'm mixed, yes, but in the world I'm defined as black before I'm defined white. I've never been called white.
I was brought up in black neighborhoods in South Baltimore. And we really felt like we were very black. We acted black and we spoke black. When I was a kid growing up, where I came from, it was hip to be black. To be white was kind of square.
I have a pilot called The Re-Education of Oliver Cooper starring the white kid from Project X where follows a black girl to a black university, like in Legally Blonde. I have so many fun projects.
When I take a black-and-white portrait, it's not particularly meant to please you. It's meant to talk to you; it's meant to shame you. It's meant to scream out at you, and it has a message.
I started as a black-and-white teenage photographer, and I'm still there decades after. In some ways, the genre is almost gone. I am thinking of true, stubborn, lifetime black-and-white photographers, as opposed to black-and-white as a photographic commodity.
Growing up, I was confused about my identity: I felt like I wasn't black enough to be black, but not white enough to be white.
Even though it's called Music Of Black Origin, it's not just music for black people. Music is for everybody. I think it's good that black music is acknowledged, and it's open for lots of artists, including white artists who have been inspired by black musical heritage.
Because growing up as an Asian-American and growing up as someone who is not white, oftentimes in this country you can feel as though you're a foreigner, or you're reminded of being a foreigner, even though you're not. Even though inside, internally, you feel completely American.
I'm a multi-racial person - I'm black and white - and growing up in North Carolina, I've dealt with a lot of racism. Growing up as a kid, I've seen it. I've been through it in many forms and fashions.
White-on-white crime is a devastation in America like so-called black-on-black crime. It's not black or white-on-white crime. It's proximity murder.
I'm a black person and when I was growing up I went to a school with no other black people and walked past signs that said 'Keep Britain White.'
I was a freshman at Stanford University the first time someone called me a 'bama.' One of my new friends from D.C. said it, laughing, and even though I didn't know what it meant, exactly, I got that it was some kind of insult. I must have smirked or shrugged, which made him laugh harder, and then he called me 'country,' too.
There is not a history of black intellectuals being allied with dominant forces to hold white people in social and cultural subordination for a few centuries. Second, the "our" of black folk has always been far more inclusive that the "our" of white folk. For instance, there would have hardly been a need for "black" churches if "white" churches had meant their "our" for everybody - and not just white folk. But "our" black churches have always been open to all who would join. The same with white society at every level.
Now it's time to play a brand new game called Name That Barcode. Here's the first one: "Thick black, thin white, thick black, thick white, thick black, thin white." OK who's going to identify that?
The black masses want not to be shrunk from as though they are plague-ridden. They want not to be walled up in slums, in the ghettos, like animals. They want to live in an open, free society where they can walk with their heads up, like men, and women! Few white people realize that many black people today dislike and avoid spending more time than they must about white people. This 'integration' image, as it is popularly interpreted, has millions of vain, self-exalted white people convinced that black people want to sleep in bed with them - and that's a lie!
The floor of ice cream parlor bothered me. It was black-and-white checkboard tile, bigger than supermarket checkboard. If I looked only at a white square, I would be all right, but it was hard to ignore the black squares that surrounded the white ones. The contrast got under my skin. The floor meant yes, no, this, that, up, down, day, night -all the indecisions and opposites that were bad enough in life without having them spelled out for you on the floor.
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