A Quote by Saffron Burrows

I like acting in London-not least because it means I can go home after the show every day, rather than being on location making a film. — © Saffron Burrows
I like acting in London-not least because it means I can go home after the show every day, rather than being on location making a film.
Effort is between you, and you, and nobody else. So that team that thinks it's ready to see you, they think what they've seen on film, they ain't saw what film shows, because every day is a new day. Every moment is a new moment. So now you've got to go out and show them that I'm a different creature now, than I was five minutes ago, cause I'm pissed off for greatness. Cause if you ain't pissed off for greatness, that just means you're okay with being mediocre, and ain't no man in here okay with just basic.
I don't go home and pretend I'm August rather than just the actual lines I'm saying in the film. If you do it that way, it makes it more natural and second nature. After awhile you get used to it and there's so much, especially being in New York to film; you're always surrounded by American people.
My father used to describe how he'd love going, early in the morning, out on a location and waiting for the trucks to arrive and the circus to come to town. That's what it's like, every day, when you're making a film. It's the magic.
If you make a film, that magic is not there, because you were there while shooting it. After writing a film and shooting it and being in the editing room every day, you can never see it clearly. I think other people's perception of your film is more valid than your own, because they have that ability to see it for the first time.
One of the things I've learned - before I would go on a show, I was like, "Oh God, I hate that show" or "That show is gonna get canceled." But now after being full-time on a show, you see how difficult it is and how much work goes into it and how so many decisions are based on finances or people's schedules or talent or location issues. It's a miracle that anything gets made.
After more than 40 years of living in the British countryside, any day I see a badger is precious. I knew the location of every sett in the woods around my childhood home, but rarely saw them with my own eyes.
You can't go home and look at your plaques at the end of the day, because every politician has like a million plaques on their wall. OK? You don't go home and look at - you don't get anything for that. And you can't go home and say, boy, I really served the Democratic Party or the Republican Party. You want to go home and, you know, Fourth of July, you know, any of these special holidays that recognize our country, you want to feel like you've built a stronger nation, which means you helped build the people and put them in a stronger place where everyone's lifted.
Involve yourself every day. Work hard and figure out how to love acting all day, every day. It's getting into a made-up situation and making it good and making it real and just playing, just practicing and playing. Like the musicians that I played piano with: they never expect to be rich or famous, but they, for the sheer joy of it, play every day, all day.
I don't think of it so much as the shows I did or the film sets. I mean, sometimes you'll get a nice location, but it's more, 'Who am I meeting on a day-to-day basis?' Often the rehearsals are a lot more fun than the show itself.
I go to the Himalayas after every film. I go alone. I go to the interiors, to the villages. Being there itself is like meditation.
I've already done things I never believed I would. Even stepping out of Northampton and being in London - London always seemed like the big city I might go to for Carnival, go for a party and a chill and then head home.
You don't have that interaction with the audience when you're acting for film; you're kind of acting in a vacuum. You're acting for a disinterested grip who just wants to reply to his wife about what time he'll be home for dinner. Everyone else on a film set is also there because they're paid to be there. They're not there because they're passionate about what you do necessarily.
I think it's because if I have the time I take the time to sign every autograph I can after a show. I'll go out of my way when a lot of other guys wouldn't do this. Things like that create so much longevity in your career because that guy or girl you met that night will go home and talk about how cool Jeff Hardy was that night and then that makes their friends want to come out to the show next time you're in town.
L.A. style is more laid back than London, mainly because it's always sunny. In London, the cold means you get to rock layers. And you can't go wrong with a trench coat!
My tutor was a film director on the side, and she introduced me to film. She then put me in one of her short films, and it came out of that. That's when I fell in love with the process of making a film. After that, I was about 15 and I was like, "This is what I've gotta do." So, I started taking acting lessons, and then I applied to college to do acting. I got an agent, and it all just happened.
The most difficult thing about acting and directing in a film is acting and directing in a film. Every ounce of your physical and emotional being, and your analytical and thoughtful and producorial being, is being exercised at all points. You are 100% working on overdrive, but because it is only for X amount of days, if you have the stomach for it, you hustle through. It's a massive undertaking, and I think preparation is the key to success for that endeavor.
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