A Quote by Sage Francis

When a boy writes off the world it's done with sloppy misspelled words
If a girl writes off the world it's done in cursive. — © Sage Francis
When a boy writes off the world it's done with sloppy misspelled words If a girl writes off the world it's done in cursive.
A man always writes absolutely well whenever he writes in his own manner, but the wigmaker who tries to write like Gellert ... writes badly.
One writes not to be read but to breathe...one writes to think, to pray, to analyze. One writes to clear one's mind, to dissipate one's fears, to face one's doubts, to look at one's mistakes--in order to retrieve them. One writes to capture and crystallize one's joy, but also to disperse one's gloom. Like prayer--you go to it in sorrow more than joy, for help, a road back to 'grace'.
Why one writes is a question I can answer easily, having so often asked it of myself. I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me - the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.
When someone writes to tell me something I've written made them laugh or cry, I've done my job and done it well. The rest is all semantics.
A man who writes well writes not as others write, but as he himself writes; it is often in speaking badly that he speaks well.
I am not like Stephen King, who writes one book, then writes another. I finish a book and go off and... look for wrecks. Then, six months later, I might start another book.
We encourage failure among young men; we celebrate it... It's a badge of honour for a man. Yet attach those same words and experiences to a woman, and society writes her off.
Tina Fey writes crazy, off-color, racist, hilarious stuff for '30 Rock,' but it's always funny because you're in this almost two-dimensional world where there's Jenna Maroney and these over-the-top characters. That's the framework.
The man who really counts in the world is the doer, not the mere critic -- the man who actually does the work, even if roughly and imperfectly, not the man who only talks or writes about how it ought to be done.
When you've done it long enough - I've done something like 21 World Series - just about every fan base has turned off the TV when their team lost and I was screaming and yelling for the other side.
I'll read anything Anne Carson writes, anything J. M. Coetzee writes, and anything Cormac McCarthy writes. I'll drop whatever I'm doing to read a new Mary Ruefle essay.
And why should any man who writes, even if he writes things immortal, nurse anger at the world's neglect? Who asked him to publish? Who promised him a hearing? Who has broken faith with him? Your poem, your novel, who bargained with you for it?
I was one of the first people in the Palestinian world, in the late 1970s, to say that there is no military option, either for us or for them, and I'm certainly the only well-known Arab who writes these things - and who writes exactly the same things in the Arab press that I say here.
We do have a black president, and that means a lot. People ask, 'What has he done?' What he's done is change the color up, which you see on the screen. When the head of the free world is black, there's got to be some sort of spin-off from it.
Maybe people, maybe the world writes things off as impossible a little too quickly, when they really aren't - when they just haven't reached out and figured out how to utilize their resources to the fullest degree or created pioneering systems in their lives.
Everybody writes about love and cheating and heartbreak. We've done all that.
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