A Quote by Sage Francis
The artist thing is just natural. If that comes out, the music, the songs, I need some actual time which I dedicate to it. But I don't have to sit down eight hours a day in order to get out what I need to create. That is just always bubbeling inside and than evetually it just comes out.
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Anybody can have this body if you do enough sit-ups and you just make a decision that 'Every day, I'm going to work out.' There are some days that I just don't feel like doing it, and I don't. But more often than not I get up and I get on the treadmill that I want to shoot and just do it. The first 20 minutes are the hardest.
Sometimes songs need extra time and space to really play themselves out, and some songs it's like, this is all you need, a straightforward thing.
A lot of them are afraid to sit down and break their position. You should be able to make it so natural that you can just get out, and sit down and walk away from it, and there's nothing wrong with that.
I don't expect everyone to get something deep out of it. Some people can just listen to the music, or get their aggressions out, but I think with any great painting or movie, album or whatever it is, it's better if people can take what they need from it. That they're not forced to get some particular message.
I don't need to edit names out of songs and I don't need to edit details out of my songs because I've always been able to be honest with my music. That's the one place where I'm never ever going to change how I do things.
I remember hanging out at Starbucks. There were these older guys who would sit around and play Crosby, Stills & Nash songs. I was just so in love with music. I would just go hang out with them, and I would try to sing and harmonize with them. I didn't even know the songs.
I've been busy and need to slow my little tail down and sit and meditate somewhere. I do my walking meditations every day, but just to sit still. Just to be in one place and just to be quiet.
Eight kids and a stepmother, and I just wanted to be out of there and so when I got a scholarship from Boston to the Schillinger House, which is now the Berklee School of Music, I couldn't wait to get out of there.
I want to get out in the community and make sure everyone knows I'm not some renegade driver that's out there and irresponsible and reckless. I really think this is just a one-time thing. You live and learn. If you do the crime, you do the time, so to speak. With that said, I got a lot going for me. I got a great job, a great career, a great family. This is just a little bump in the road. My spirit's not broke. I'm not down and out by any means.
The actual getting into the gym and working out process was easier, but the eating was harder. I had to eat every two hours. At one point, my trainer said, 'Put anything in your mouth. Go to McDonald's, get the biggest shake possible. I just need to get calories in you.' Because my body fat at the time was only, like, 7.5%.
A man that simply loads himself down with possessions of which he has no actual need, when he dies slips out of them--as a little insect might slip out of some parasite shell into which it has ensconced itself--into the grave, and is forgotten.
I think you need something to take care of in order to figure out who you are as a person, and in that way, being a dad has levelled me out more than anything. You've just got to be good for that person no matter what's going on in your head that day.
I opened up my mind as far as playing music. I was at a Cody Chesnutt concert a few years ago, and a friend introduced me to him. We just started talking about music, and he asked me what I did. I said, "I have these songs and I'm kind of nervous to put them out, because I've just kind of been playing blues stuff, and playing other people's songs." He said, "You should just put them out there, man. Why not? It's just gonna bother you if you don't. The easiest thing to do is to just let it go." So I just took that with me.
When you sit down and write a song, you kind of have the idea for the song, and you sit there at the piano and you kinda just write it. And then of course later there's some dinking around with it and changing some stuff. But there's this thing that happens when the song first comes out, that sort of magic when it first comes out of the ether, and you can't even really explain where it comes from. That happens so much with music, and people understand that with music. But I really think that a lot of movie and TV should be the same way.
I started playing guitar and writing songs when I was 15. I think what mainly sparked my interest was just the fact that I grew up listening to Cheryl King, Joni Mitchell, and James Taylor, and was just always inspired by that sort of organic art, and organic songs and just very natural songwriting that came out of some of those artists.
I'm a controversial artist, one who dares to have an opinion and bothers to create music and videos that challenge people's ideas in a world that is watered-down and hollow. In my work I examine the America we live in, and I've always tried to show people that the devil we blame our atrocities on is really just each one of us. So don't expect the end of the world to come one day out of the blue – it's been happening every day for a long time.
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