A Quote by Sai Baba

You must pass your days in song. Let your whole life be a song. — © Sai Baba
You must pass your days in song. Let your whole life be a song.
But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
It was your song that made me sing It was your song that gave me wings It was your light that shined guiding my heart to find This place where I belong It was your song Dreams can come true With God's great angels like you
Each song is a child I nourish and give my love to. But even if you have never written a song, your life is a song. How can it not be?
The 'Bryson' song was a focus track. I dropped so many gems throughout the whole song. I don't want no bars to go over nobody's head in my light songs. If you apply them to your real life, you will see change immediately. Apply it to your life and I just know it will help someone.
It is not enough to have a song on your lips. You must also have a song in your heart.
Not that anyone minds--no one's paying attention to the music. Most of them never really listen to music. Practically no one actually does. Even at concerts people pay good money for, instead of a three-dollar cover charge, they talk through the whole thing. I feel sorry for them, since none of them understand what it's like to have a song just get into your soul and become your whole world. They don't know what it's like when a song changes your life.
In every song I write, whether it's a love song or a political song or a song about family, the one thing that I find is feeling lost and trying to find your way.
Here's the way the licensing works ... If you write a song, nobody can record your song before you do without your permission. But, once the song is recorded, they can get what's called a 'compulsory license', and they can record the tune, but they have to pay you royalties.
The difference between a good song and a great song is a good song is one that you know, you'll put on in your car or you'll dance to it. But I think a great song you'll cry to it, or you get chills. I think a great song says how you feel better than you could.
A song must move the story ahead. A song must take the place of dialogue. If a song halts the show, pushes it back, stalls it, the audience won't buy it; they'll be unhappy.
I think, any of your audition songs should really be a song that you are so confident with and can pull out of your back pocket. Find a song that shows your entire range very quickly.
Just A Girl' was the first song that was on the radio for us. That was incredible because to hear that song on KROQ-FM in L.A., where we grew up, and you've listened to KROQ your whole life, and then to hear it on the radio was unbelievable.
A song is like a saddle: you ride it for a while, and if it's the right kind of song you can sing it for the rest of your life.
A Song of the good green grass! A song no more of the city streets; A song of farms - a song of the soil of fields. A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; A song tasting of new wheat, and of fresh-husk'd maize.
You don't necessarily have to write a song to make it your own. After all, Elvis never wrote a song in his life.
Musically, though, you're a character and you're singing a song. If you're not your own character, you're the character in the song, most of the time. Even blues musicians, a lot of them who were the most realistic, at times, they were singing a song and portraying a character in the song. There's something to be said for getting involved in the emotion of a song, too, with the characters.
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