A Quote by Sai Pallavi
Naga Shaurya is a silent person and doesn't talk to anyone on the sets. But when he faces the camera, he is a different person altogether. As an actor, he is very mature.
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From being a silent person, I started going on stage and performing. It gave me confidence and I started liking it. When the camera starts rolling, I am very different person.
To be a superstar you have to win and you have to have something special. For me, I hope that knocking people out is my something special because I can't sell myself, per se, and become a different person on camera and a different person off camera.
As a director, what matters is how you penetrate the soul of the person in front of the camera and let the actor blur the boundaries between the character and the person themselves. In order to achieve that, I try to make people feel at ease, to be mindless of problems and be skinless and give everything to the camera.
We'll be getting rid of these people here... First, Mr. Samir Naga... Naga... Naga... Not gonna work here anymore, anyway.
If you have not had direct firsthand experience of loving a category of person - a person of a different race, a profoundly religious person, things that are real stark differences between people - I think it is very hard to dare, or necessarily even want, to write fully from the inside of a person.
I'm blessed to have a person like Naga Chaitanya in my life. He's a gem of everything.
A mature person has the integrity to stand alone. And when a mature person gives love, he or she gives without any strings attached to it. When two mature persons are in love, one of the great paradoxes of life happens, one of the most beautiful phenomena: they are together and yet tremendously alone. They are together so much that they are almost one. Two mature persons in love help each other to become more free. There is no politics involved, no diplomacy, no effort to dominate. Only freedom and love.
In Greek myth, a chimera is a creepy combination of lion, goat, dragon - in humans, chimeras are one person who contains two sets of DNA. That's right. One person comes up in tests as two different people.
I always feel like when I work with people, I work with everybody - from the person that's working the camera to the person that's running the water to the person that's putting the clothes on me, the person that's combing my hair, my makeup, the person that's like, 'You gotta sign these papers.' I try to hang out with everybody.
I grew up on the sets of Bonanza and most of my (childhood) memory is (on the set of) Little House. I was actually an assistant cameraman on Highway to Heaven. So, I observed my father working for many years. He was a very giving person. I really respected the way he ran his sets. He never treated anyone differently - whether you were the guest star of the show or the grip. Everybody was treated with respect.
I have always been a silent person and I don't have any jhamela with anyone.
There's this idea of a star, and this person is very aloof and writes all the music, and they don't talk to anyone unless they go through the record label. And I always felt very uncomfortable about that.
I know I look arrogant, but I'm altogether a different person outside the ring.
... I'm sort of a nervous person with the camera, so I will just shoot arbitrarily until I can focus and compose something, and then I make a shot. So generally, in [the] proof sheets, there are only three or four really concentrated efforts to take a photograph. It's not like a professional kind of person who sets it up so every photograph looks really cool.
I think there's this thing that happens when you're younger: The things that you want are different than when you're older, and sometimes the person that you liked when you were a teenager is not necessarily the person that you would want to settle down with for the rest of your life once you're older, more mature, and have kids.
You can't do what you've been asked to do unless you do the best you can. And roughly speaking, the best you can do is to be very available as a character and actor to the people you're acting with. That's equally important, whether the camera's on the other person or on you.
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