A Quote by Sai Pallavi

I always go crazy over every scene and have to discuss it with my director many times. Even Sekhar Kammula, who directed me in 'Fidaa,' knows this. — © Sai Pallavi
I always go crazy over every scene and have to discuss it with my director many times. Even Sekhar Kammula, who directed me in 'Fidaa,' knows this.
I am indeed fortunate to work with some reputed directors like Balaji Sakthivel, Sekhar Kammula, and KV Anand sir. Each one of them has a different style, and every day is a learning experience for me.
Every scene in 'Ganga Jamuna' has been spellbinding for me. I can see the film any number of times and still not be able to pinpoint a scene and say 'This is the best scene!' Every scene is perfect.
I was only interested in my scene, and I had to go through thousands and thousands of other scenes. I got my scene and I read it many, many, many, many, many times. That was my research.
Priyadarshan has directed over 84 films and more than 150 ad films. With every film, he is growing. He knows his job well; he is thorough. His way of making a film and song or choreographing a scene is entirely different from other directors. He knows how to use an actor's talent and how to handle an actor.
I can't even count how many times I've been pulled over. I can't count how many times I've gone to a club and not got in, how many times a security guard has followed me round a shop. I can't count how many times that somebody has asked me if I'm a footballer because I've come out of a nice car.
Even though the press at times made me completely crazy as they followed me around the hall, and asked tough questions over and over again - now believe me, every politician feels this way - it is a necessary part of our life, and we must have a press that isn't cowed and won't be afraid of ratings if they get put to the back of the room at a press conference.
You can't act for the editing. You have to leave that to him. So you just go in and do the scene the way you think is right or whatever you're directed to do, and leave the rest of that technical stuff up to the director.
I'm always the "less is more" guy when it comes to a scene. So I'ma be the one who will keep it grounded. Even if I let it go off and go crazy, I'm still the voice of keeping things grounded in reality.
I think one of the things you have to be aware of as an actor is that if you come on the set and see the director standing there mouthing all the words while a scene is going on, that's usually a very bad sign because it means the director has already shot the scene in his head. He knows exactly the rhythm and the nuances that he wants delivered in the line and you're not going to dissuade him.
Actors always ask their directors what their motivation is in this scene or that scene, so I've always had this joke where I ask the director what my motivation is too. As a stunt person your motivation is usually to fall over a bench or something.
A fantastic actor in a scene that's just closed off will be good. But when working with a director who knows little tricks - correct music, slowly pushing in - that stunning performance will somehow become even better. I've always seen it as a symbiotic relationship.
All directors on all sets behave slightly differently depending on what the scene is. For example, if you are doing a love scene, which is intimate then the director is likely to be intimate. If you are doing a scene where everyone is mucking around and laughing then the director is likely to start with that. If you are playing a scene which us incredibly heavy and everyone getting killed then there are probably not many laughs on the set.
I directed before I was even in television; I directed in the theatre for seven years, so that was my trade anyway. But in the UK, I've given up any hope of being considered a director.
There have been numerous times when my career was supposed to be over because of mathematics, you know, age and numbers,' he says. 'How many times can you go platinum? How many times can you rap about the same subject? How many times can you say, 'Oakland?'
I've watched 'Being There' over 50 times, and every time I watch it, I love every frame. I just wish I had directed it myself.
How many times can a rock star go over the top on drugs? How many times can a rock star be unfaithful to his old lady? It is really fu**ing boring, and that is what they do over and over and over. They just print the same sh*t.
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