A Quote by Saib Tabrizi

The weeping of the candle is not in mourning for the moth: the dawn is at hand, and it is thinking of its own dark night. — © Saib Tabrizi
The weeping of the candle is not in mourning for the moth: the dawn is at hand, and it is thinking of its own dark night.
One night, a group of moths gathered on a shelf watching a burning candle. Puzzled by the nature of the light, they sent one of their members to go and check on it. The scouting moth circled the candle several times and came back with a description: The light was bright. Then a second moth went to examine it. He, too, came back with an observation: The light was hot. Finally a third moth volunteered to go. When he approached the candle he didn't stop like his friends had done, but flew straight into the flame. He was consumed there and then, and only he understood the nature of the light.
Only by the candle, held in the skeleton hand of Poverty, can man read his own dark heart.
Carry a candle in the dark, be a candle in the dark, know that you're a flame in the dark.
Dawn's faint breath breathes with your mouth at the ends of empty streets. Gray light your eyes, sweet drops of dawn on dark hills. Your steps and breath like the wind of dawn smother houses. The city shudders, Stones exhale— you are life, an awakening. Star lost in the light of dawn, trill of the breeze, warmth, breath— the night is done. You are light and morning.
Judge the moth by the beauty of the candle
Thus hath the candle sing'd the moth. O these deliberate fools!
After playing Chopin, I feel as if I had been weeping over sins that I had never committed and mourning over tragedies that were not my own.
The [peppered-moth] experiments show the effects of predation on the survival of the dark and of the normal forms of the Peppered Moth in a clean environment and in one polluted by smoke. The experiments beautifully demonstrate natural selection--or survival of the fittest--in action, but they do not show evolution in progress, for however the population may alter in their content of light, intermediate or dark forms, all the moths remain from beginning to end Biston Betularia.
At first we raced through space, like shadows and light; her rants, my raves; her dark hair, my blonde; black dresses, white. She's a purple-black African-violet-dark butterfly and I a white moth. We were two wild ponies, Dawn and Midnight, the wind electrifying our manes and our hooves quaking the city; we were photo negatives of each other, together making the perfect image of a girl.
The moth don't care when he sees the flame He might get burned, but he's in the game And once he's in, he can't go back He'll beat his wings till he burns them black No, the moth don't care when he sees the flame The moth don't care if the flame is real 'Cause flame and moth got a sweetheart deal And nothing fuels a good flirtation Like need and anger and desperation No, the moth don't care if the flame is real.
My left hand is my thinking hand. The right is only a motor hand. This holds the hammer. The left hand, the thinking hand, must be relaxed, sensitive. The rhythms of thought pass through the fingers and grip of this hand into the stone.
There is a road, no simple highway, between the dawn and the dark of night, and if you go, no one may follow, that path is for your steps alone.
I don't have a night stand. If I read at night in bed or too close to sleep-time, I lie awake thinking in the dark for hours.
On Hanukkah, the first dark night, Light yourself a candle bright. I'll you, if you will me invite To dance within that gentle light.
I pray you never stand at any crossroads in your own lives, but if you do, if the darkness seems so total, if you think there is no way out, remember, never ever give up. The darker the night, the brighter the dawn, and when it gets really, really dark, this is when one sees the true brilliance of the stars.
Stars burn clear all night till dawn. Do that yourself, and a spring will rise in the dark with water your deepest thirst is for.
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