A Quote by Saikat Chakrabarti
I like to show my cards and see people's reactions.
Related Quotes
Chandresh relishes reactions. Genuine reactions, not mere polite applause. He often values the reactions over the show itself. A show without an audience is nothing, after all. In the response of the audience, that is where the power of performance lives.
When people are telling stories on screen, you can show the reactions of people, play it off those reactions, and it can be fun. But when it's someone just giving an opinion on things, even if the opinion is kind of interesting, that is potentially deadly. It has to be really quick.
Like any show, I think some episodes are going to be stronger than others, but I think it's a good show that people enjoy and I hear the reactions too.
I know when I like to go see a show, I like to see people show as many different facets of themselves as they can, because I think that's the fun of it.
When I started 'This American Life', one of the reactions I got was, 'When is the adult going to show up who will host the show?' At some point, people just got used to it.
Maintain 'baseball cards' and/or 'believability matrixes' for your people. Imagine if you had baseball cards that showed all the performance stats. You could see what they did well and poorly and call on the right people to play the right positions in a very transparent way.
The reactions of organic magnesium compounds are of two kinds - reactions of substitution and reactions of addition.
'Ragtime' was the most magical show that I've done. I had an incredible experience with that, with the show itself, with the cast, with the audience. The response to that show - my God, it really blew me away, the reactions to that show, the way it changed their lives and altered their thinking, their own self-discovery.
A lot of people tune in to 'Monday Night Raw,' and they can hear these boos or these mixed reactions, but they're not there for our Friday live event show, our Saturday show, our Sunday show. I get to experience a lot of very supportive nights where everybody is on my side.
I owe a lot to my time on 'House of Cards' because, up until I booked that show, I had been working consistently for 12 years, but I wasn't working on anything that mattered in the way 'House of Cards' did to its audience, to casting directors, to directors and producers. The show hit this sweet spot.
I often find that people's reactions to the show say way more about them than they do about the show itself. I think that's because a lot of it happens between the lines.
The media and the rest of popular culture weren't recording people's reactions to 9/11; they were forcing made-up reactions down people's throats.
I think a lot before tweeting. I show it like I don't, but I do. Sometimes I don't mean it, sometimes I mean it, and sometimes I like to provoke a reaction from people. I enjoy reactions from them.
I'm always interested in hearing how other people read and react to my songs. I hadn't thought of it in just that way. One of the things I love about doing things that are creative is that I feel like it's my right as an artist not to be affected by the reactions of those people that are going to hear my songs. But I also feel like it's the right of the people hearing them to have their own interpretations of what these songs mean. Sometimes people will see things that I don't see.
When you lose your freedom, you are alone with your emotions and reactions... you can see, for example, the bad reactions you have in front of others or the way you could be dismissive or harsh.
The Broadway audiences are very vocal and seem very engaged. For certain shows, especially with a show like 'The Heiress,' the audience's reactions sound like 'The Jerry Springer Show' sometimes. That seems to be a very New York thing. Oh, there's also the entrance round of applause here, which we don't get too much in London.
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