A Quote by Sajid Javid
When I was 11, I had just started my comprehensive school.
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At 11, following comprehensive psychiatric and cognitive assessments, an educational psychiatrist appointed by my high school recommended that I attend a school for 'gifted and talented' children.
I joined the Royal Ballet School when I was 13. Before then, I'd done ballet twice a week after school. The rest of my class had started aged 11, so I'd missed two years and was really far behind.
When I started singing, I was going to school. I remember some of the people in school singing, and they had a choir. I would just watch and listen. Finally I started at least attempting to try to do what they was doing. When I was younger, we started going to church. I can't say that we were always, you know, the most church-going people.
I always wanted to play music, and always loved it. I saw a band come to school, when I was in elementary school, and wanted to play drums. I started playing drums at 11, and that's where it all started.
Some people think it's because '24' was jump-started by what happened on 9/11. That was never why we made the show. We started production six months prior to 9/11, and we'd already done ten episodes.
I grew up in Canada and I was 10 years old when 9/11 happened. And I think that really changed the landscape for Arabs around the world, obviously, but especially Arab actors, I think we started getting viewed a little different. Like, my whole experience just as a kid before 9/11 and after 9/11 was drastically different.
I was 11 and living in Kosovo. I knew I wanted to perform but didn't feel like I could do it there. So I moved back to London on my own at 15, carried on going to school, and started posting cover songs online. I had no idea how I was going to become a performer, but I felt like I had so many more opportunities being in London.
In Jamaica we had the English way of schooling from the age of four, so when I got to America I was already a few years advanced because I started school at the age of three-and-a-half rather than six and my grades moved up accordingly. In America, they start you at school at six because the grades are different. I had to take a test and they didn't know what to do with me. It wasn't that I was any smarter; I had just started younger. All of a sudden I was jumped from eighth to tenth grade. They said I was very smart, but I was only smart in languages, really.
There was a school in Chicago called the School of Design. This was started by [Laszló] Moholy-Nagy, and it was a wonderful school, but we [with Alix MacKenzie] didn't go to that school. We did have friends who went to that school and we would visit there often, and I'm sure it pushed me in my painting direction very strongly just by association.
When I was about 11 years old, I wrote a song with my dad. Then in high school I started more writing.
I just started as a part of the public school music program. I took lessons at the school every Friday and was a part of the school band. I was just a normal kid taking instrumental lessons at school, nothing special.
I just started playing guitar and started singing and started working on this act that I would call 'Don McLean' when I was probably in high school.
I had the benefit of going to a really good high school on Long Island. I went to Shoreham-Wading River High School, which kind of started as an experimental public school back in the 60s and 70s. It had a bunch of teachers there with a unique teaching philosophy.
I had a friend who had been teaching music for a long time, and he knew a bunch of teachers, so I just put up the money and started a school.
I went to comprehensive school in North London and left without any qualifications [diploma]. And I was doing bits of acting and improv in a drama club in the evenings. Then I discovered you didn't need qualifications to go to art school, you just needed a body of work.
I always sang. I wanted to be in a band with my sister, and I was, at 11. At 12, I started writing seriously, and that was my pacifier all through high school - that and painting.
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