A Quote by Sajid Khan

If you are a good actor then you are good at comedy. — © Sajid Khan
If you are a good actor then you are good at comedy.

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What it is is that comedy is underrepresented in every actor's life, because it's so bloody difficult to write. Anyone can write, and then you leave it to special effects to make it look good. But comedy, you've got to do some writing.
My abject hatred of actors and the acting world. I went to college as an actor, and halfway through, I switched to playwriting and directing. Then I spent a couple years working in publishing, doing some freelance journalism for The Village Voice and Musician magazine. I thought my life was going to be as a writer, but then I realized I missed performing, so I got into comedy. It was a nice combination of things I was sort of good at. I was a pretty good writer and a decent actor, but I didn't really like acting, and I didn't have the discipline to be a writer.
An actor who is good at comedy can also be very good at drama, but not necessarily vice versa.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
I think, at the end of the day, if you're a good actor, then you're a good actor.
I want to do a romantic comedy that nobody thought I could do. And then do a comedy with Dan Aykroyd that is totally different from 'The Blues Brothers.' I'm a comic actor, but I'm an actor, too.
In comedy, you have to do all of the same stuff you do in drama and then put the comedy on top of it. You, the actor, are aware of the comedy but the character is oblivious. And you have to have a sense of humor.
It's very hard to find a good comedy. I prefer doing comedy far over anything else because I think they're actually more profound. But finding a good one and a great ensemble is very difficult to do and I'm delighted that in these particular times there is so much interest in comedy and that comedy is having so much success.
It's a very odd thing with Hollywood, where you do stand-up, you're good at it, then they go, "How would you like to be a horrible actor?" Then you say, "All right, that sounds good. I'll do that."
It's a very odd thing with Hollywood, where you do stand-up, you're good at it, then they go, 'How would you like to be a horrible actor?' Then you say, 'All right, that sounds good. I'll do that.'
A good writer takes time to go in-depth into a subject and then comes out with a good script. Then it's the job of the actor and director to improvise with it and make it even better.
I played a lot of serious parts in a lot of TV movies and early miniseries but what happens is that you get sort of locked into "Oh no, he's a serious actor." Well, I was a serious actor for nine years or 10 years and then I get into comedy and everybody said, "Oh no, he's funny. He can do comedy," and then all of a sudden, you're just a comedy guy.
I'm a goofball, so I think comedy is one of my stronger points, as an actor. I just never get to do it. But, I'm taking classes at Groundlings, where Will Ferrell and Lisa Kudrow studied, and it's all improv comedy. It feels good to be able to do that and be funny.
I'm no good at anything but comedy, which I think I'm good at. I'm absolutely no good at networking; I'm terrible at acting; I'm terrible at dealing with executives; I'm terrible at collaborating. And I say whatever I want to say. But I think I'm good enough at comedy that I can survive. And I don't really have an ambition for money.
To do comedy, you have to be a pretty good actor to start with.
If people perceive you as a good actor then they'll wish for you to be a good actor and they'll root for you when they watch you, but if you come out and you're going to clubs every night people don't root for you anymore.
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