A Quote by Sajid Khan

I don't think Farah and I will make a film together. She is a director in her own right. — © Sajid Khan
I don't think Farah and I will make a film together. She is a director in her own right.
A woman director is not obliged to make a feminist film. She can make what she wants, a thriller, an action film, a comedy, or whatever, but hopefully, she will be informed by a gaze that is female.
I've worked with Farah Khan who is a competent woman director, and Farah and I had a great professional equation and we are still best of friends.
My mother started out by being a very good girl. She did everything that was expected of her, and it cost her dearly. Late in her life, she was furious that she had not followed her own heart; she thought that it had ruined her life, and I think she was right.
A good project but a poor director will always make a mediocre film, but an average script and good director can make a good film, as he will put in everything to make the film look good.
I’ve only ever met one woman who actually was a prostitute of her own free will. She didn’t have a pimp. She could pick and choose her customers. That’s so rare. So we have to look at the reality and not romanticize it. We have to be clear that you have the right to sell your own body but nobody has the right to sell anybody else’s body. No one has that right.
My mother was a full-time mother. She didn't have much of her own career, her own life, her own experiences... everything was for her children. I will never be as good a mother as she was. She was just grace incarnate. She was the most generous, loving - she's better than me.
Farah ma'am is so technically strong. She is such a good director and one of the most fun directors.
Be yourself. Forget about whether you are male or female and just work hard to become a director who truly knows her craft and the direction she wants the film to go. People respect a director for her work regardless of her gender.
Warren Beatty is a great director. I wish Warren would direct another film right now, because I'd love to do another film with Warren. I think that 'Dick Tracy' is an outstanding film in its own right.
Look at Charlotte Gainsbourg, in the Lars von Trier film Antichrist. She's unbelievable. She doesn't act; she's there. She's great. And you love her for that, because it's so daring, what she has to do. And she does it as if it is nothing. I think she's brave. I fell in love with her when I saw that film. She is a revelation. Total revelation.
I have worked with a lot of really great women directors: Ana Kokkinos; Cate Shortland, who just recently directed a film called 'Lore;' another director, Rachel Perkins - she's an Aboriginal director, and I've worked with her three times now, and she gave me my first film role, actually, back in 1997.
Kangana has started believing in her own myth. She says she taught feminism to the film industry, she taught it nationalism. I'm glad she spelled that out because nobody else had noticed! I think she fears the day when she will no longer be in the headlines and so has to keep making outrageous statements to stay in the news.
You cannot hammer a girl into anything. She grows as a flower does, she will wither without sun; she will decay in her sheath as a narcissus will if you do not give her air enough; she might fall and defile her head in dust if you leave her without help at some moments in her life; but you cannot fetter her; she must take her own fair form and way if she take any.
My mother didn't feel sorry for herself, she was left with no child support, no alimony at a very young age, with a child to raise, a high school education and she just figured it out. She didn't complain, she didn't rely upon government, she relied upon her own skill set, her own self confidence, her own drive in moxie and her own duty to me and her and she relied upon her family and her faith.
Snow Cake is a lovely film. Really proud of that. We shot it in 21 days. I thought Sigourney was amazing in it. And very, very accurate. I think there was some element that thought she had pushed it too far. But not at all when you do the amount of homework she had done and spent the amount of time she did with adult autistics. She was right on the money. And I think Marc Evans is a terrific director. He's a sweet, open, honest man and a really good director of actors.
Me and Kirby are very collaborative and it changes from film to film. The first project we worked on together, Derrida, we co-directed. The last film Outrage, I was the producer and he was the director. This film was much more of a collaboration - he is the director and I am the producer - but this is a film by both of us.
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