A Quote by Sajid Khan

Nobody in the world loves cinema more than me. — © Sajid Khan
Nobody in the world loves cinema more than me.
I love the First Amendment. Nobody loves it better than me. Nobody. I mean, who uses it more than I do?
I can no more disown (Jeremiah Wright) than I can disown the black community. I can no more disown him than I can my white grandmother - a woman who helped raise me, a woman who sacrificed again and again for me, a woman who loves me as much as she loves anything in this world, but a woman who once confessed her fear of black men who passed by her on the street, and who on more than one occasion has uttered racial or ethnic stereotypes that made me cringe.
Nobody loves a baby more than me and I would happily have had about 10 of them.
I watched films growing up, but no more than the next guy, really. Working on 'Hugo' made me appreciate cinema and the art of cinema a lot more.
Nobody asks you to love the whole world, only to be honest, ehrlich. Don't have a loud mouth. The more you love people the more they'll mix you up. A child loves, a person respects. Respect is better than love.
Nobody loves a good 'Batman' story more than I do.
There is more to Indian cinema than just Bollywood. I think regional cinema, especially Tamil and Marathi cinema, are exploring some really bold themes.
There is more to Indian cinema than just Bollywood. I think regional cinema, especially Tamil and Marathi cinema are exploring some really bold themes.
So you walk up to this man sinner and you say, "God loves you and He has a wonderful plan for your life!" and he goes, "What? God loves me? That's fantastic. I LOVE ME, TOO! And He loves me more than I love me? Well, that's hard to imagine. I'll take a God like that. You got two of them?"
More than my other films, Uncle Boonmee is very much about cinema, that's also why it's personal. If you care to look, each reel of the film has a different style - acting style, lighting style, or cinematic references - but most of them reflect movies. I think that when you make a film about recollection and death, you have to consider that cinema is also dying - at least this kind of old cinema that nobody makes anymore.
When typhus or cholera breaks out, they tell us that Nobody is to blame. That terrible Nobody! How much he has to answer for. More mischief is done by Nobody than by all the world besides.
And yet, Eomer, I say to you that she loves you more truly than me, for you she loves and knows; but in me she loves only a shadow and a thought: a hope of glory and great deeds, and lands far from the fields of Rohan. - Aragorn to Eomer, of Eowyn
Anyone who loves his neighbor within the limits of the world is doing no more and no less injustice than someone who loves himself within the limits of the world.
If I want to believe that life is lonely and that nobody loves me, then that is what I will find in my world.
Meaningful cinema which lets me explore my talent to the fullest and with different roles is more important to me than just doing more and more films.
Evolution loves death more than it loves you or me. This is easy to write, easy to read, and hard to believe.
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