A Quote by Sajid Khan

'Housefull' is not a 'leave your brains behind' kind of a film. It has a very intelligent screenplay. — © Sajid Khan
'Housefull' is not a 'leave your brains behind' kind of a film. It has a very intelligent screenplay.
The problem with the screenplay is that it's not literature, and it's not a film. It's a very weird, technical kind of blueprint that will be absolutely transformed into something else that is not that, you know? Honestly, a screenplay is no literature.
'Housefull' means a house full of masti, mazaa, vibrancy and energy, something that London stands for as well. Audiences have traditionally loved what the city and its people have to offer on screen in the film and we are taking that forward with 'Housefull 4' too.
I do want my films to have the required entertainment quotient, but I'd prefer doing films where you don't have to leave your brains behind.
'Housefull' is just a 40-45 crores film. It was never an expensive film to begin with.
As for 'Garam Masala,' everybody knows what kind of film it is. It's the type where you keep your brains at home.
Leave everything. Leave Dada. Leave your wife. Leave your mistress. Leave your hopes and fears. Leave your children in the woods. Leave the substance for the shadow. Leave your easy life, leave what you are given for the future. Set off on the roads.
When you're acting, you do have to prepare yourself for doing that. You have to leave behind - or you try and leave behind - anything that's going on in your personal life.
After the success of 'Heyy Babyy,' 'Housefull' and 'Housefull 2' I was overly confident that 'Himmatwala' would set new records. Its failure was disheartening.
A novel is utterly your own creation, a very private process. I think of a novel as a noun and a screenplay as a verb. In a novel, very little needs to happen; you can explore a person's memories and thoughts and fantasies. In a screenplay, it's all action; you must push the story on.
We now live in a world both in film and television where everything is based on something. You point out, "Star Wars" was an original screenplay, "Raiders of the Lost Ark," an original screenplay, "Ghostbusters" an original screenplay, "Back to the Future." All these things that people love were original ideas many years ago.
I won't have any money to leave behind. I won't have the fine and luxurious things of life to leave behind. But I just want to leave a committed life behind.
Brains, like cabbages, are beautiful-but in a different way. Cabbage heads are dumb and sterile, whereas brains are personal, intelligent and vibrant.
My friends, I tell you repeatedly that the illusion that Life creates is very, very intelligent. The illusion itself is intelligent! Just understand how intelligent the intelligence must be in order to create an intelligent illusion. The intelligent illusion is so intelligent it will appear real to man every moment of his daily life!
My roommate in college in Austin, Texas, was Wes Anderson. Wes always wanted to be a director. I was an English major in college, and he got us to work on a screenplay together. And then, in working on the screenplay, he wanted my brother, Luke, and me to act in this thing. We did a short film that was kind of a first act of what became Bottle Rocket.
'Nuvvla Nenila' is an out and out love entertainer. The screenplay of the film is very good and director Nakkina Trinadha Rao has handled the film superbly.
I think in every 'Housefull,' we keep making most dialogues on set. I think it's been a lot of fun. I hope we make 'Housefull 50' also one day.
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