A Quote by Sajid Nadiadwala
'Chhichhore' is not just a story, it is a journey that everyone goes through. The film showcases some of the most beautiful years of one's life, where friends become family and stay with you till you age.
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As you follow the escapades or the journey of the hero through a story, it evokes some kind of emotion in the viewers. The director's job is to make sure that the audience goes through the journey and has an emotional reaction.
'Chhichhore' is one of my most finest products till date. In films like this, you expect less but you get more. It is an underdog film. I am sure people will like it.
The moon and sun are travelers through eternity. Even the years wander on. Whether drifting through life on a boat or climbing toward old age leading a horse, each day is a journey, and the journey itself is home.
Normally my process is to sit in a room and read a script and talk about it and ask questions and just create a dialogue. That goes all the way through shooting. All kinds of thoughts and ideas can find their way in there. As long as you're all on - We're just all trying to tell the story so my job as a director is just to find out what this film wants to be based on, it's just words on a page at some point but then it just needs to go to some level of believable storytelling. I'm discovering the film as I make it, to some degree.
Real life is a story, too, only much more complicated. It’s still got a beginning, a middle, and an end. Everyone follows the same rules, you know. . . It’s just that there are more of them. Everyone has chapters and cliffhangers. Everyone has their journey to make. Some go far and wide and come back empty-handed; some don’t go anywhere and their journey makes them richest of all. Some tales have a moral and some don’t make any sense. Some will make you laugh, others make you cry. The world is a library, young Poison, and you’ll never get to read the same book twice.
Everyone has loved 'Chhichhore' for a different reason, which I think for an actor is the best thing to hear. What I've been most touched by is that most people have discovered something new about the film when they have walked in the second time.
You can just stay in oblivion, going through your days and your life and your experiences, staying with your friends, family. If that suits you, it's good. But for some people, it's not enough.
Everyone goes through their own journey. Sometimes things can get hurtful. But sometimes too much intrusion of privacy can get to you, but I know that this is something that you cannot avoid. You know, being a woman, there have to be lines drawn somewhere. But I am the kind who accepts that this is my journey and I have to go through some amount of hurt.
After I read the story of 'Dangal' and before the film released, I called director Nitish Tiwari asking him if he had any good script. He told me to wait for some time. So we had three-four sittings, and this film, 'Chhichhore,' came to him. The film did not have superstars, but I felt that this is the script that needs to be told.
A film like Genevieve to my contemporaries is not a film made years ago, but last week or last year. They see me as I was then, not as I am now. I am the reassurance that they have not changed. In an upside down world, with all the rules being rewritten as the game goes on and spectators invading the pitch, it is good to feel that some things and some people seem to stay just as they were.
My strength has always been my family and my friends who are like family. The business can chew you up and spit you out and if you don't have some calm in the storm, it's a very lonely journey. My family and friends love me whether I'm working or not and that makes all the difference.
In some ways, Lotus Eaters is a journey disguised as a party film; there's a circus in the movie, and there are parties, but the real story is of an internal journey. There's themes of emptiness and excess and beauty and grief around it, but it's always surrounded by these glamorous events, and those are ways of waylaying her on her journey in the same way that it is in the ancient Greek story.
Ingrid Bergman in 'Journey to Italy' just goes off and looks at things for most of the film.
Mothers and daughters can stay very connected during teenage years. In the middle of your life, you can become very alone. Even though you're connected deeply to other family members, lovers, husbands, friends.
Just being alive is such a gift, but nobody ever told you to be thankful to existence. On the contrary, everyone was grumpy, complaining. Naturally, if everything surrounding your life from the very beginning goes on pointing out to you that you are not what you should be, goes on giving you great ideals that you have to follow and you have to become, your isness is never praised. What is praised is your future - if you can become someone respectable, powerful, rich, intellectual, in some way famous, not just a nobody.
It was just music all day... My neighbors were musicians, and my brother and my family and everybody... It was just a musical neighborhood. I think the neighborhood was such a good family type of vibe for me that I didn't even realize some of the people weren't my real family till later on in life.
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