A Quote by Sajid Nadiadwala

After about nine blockbusters, I had forgotten how to deal with a failure when 'Jaan-Emaan' released. I was shaken. — © Sajid Nadiadwala
After about nine blockbusters, I had forgotten how to deal with a failure when 'Jaan-Emaan' released. I was shaken.
When I was working on the music of 'Jaan-E-Mann' and 'Umrao Jaan,' my father was hospitalised. I had to shuttle between hospital and studios.
Sometimes things just aren't of their time, and they take a minute to catch on, or they find an audience later. Sometimes bizarre little films are the ones that everyone remembers later. With most big major blockbusters, people will have already forgotten about it two weeks after it came out.
I'm happy that I wrote 'How Should a Person Be?' and I wouldn't have written that exact book if we had just done the play. So much of the book is about the anxiety of failure - the failure of the play and the failure of the divorce and the failure of not feeling like a good person.
Failure's relative. I've always felt, even early on, if I lose the freedom to fail, something's not right about that. It's how you treat failure, too. There's something to learn from it. I've had movies that have failed colossally, so you kind of analyze your failures: What kind of failure was it? A failure because it's misunderstood by others? A failure because you misunderstood it yourself?
After Mitt Romney's defeat, the RNC released its official assessment of what happened - a failure to reach younger voters, nonwhite voters, women - but was met with a counter-narrative that, in fact, it was Romney's failure to be conservative enough that led to a depressed Republican base.
When I did 'The Sound of Music' and 'Mary Poppins' and 'The Americanization of Emily,' all three were in the can and had not yet been released. So I was driving around having a fine time learning about how to make movies and enjoying myself enormously, and then they were released, and it was quite an assault, in a way.
Running helped me learn how to deal with failure, and failure is a big part of the Internet business.
About the only problem with success is that it does not teach you how to deal with failure.
Here's a memonic device that I feel teaches how we can properly cope with failure. Forget about your failures; don't dwell on past mistakes Anticipate failure; realize that we all make mistakes. Intensity in everything you do; never be a failure for lack of effort. Learn from your mistakes; don't repeat previous errors. Understand why you failed; diagnose your mistakes so as to not repeat them. Respond, don't react to errors; responding corrects mistakes while reacting magnifies them. Elevate your self-concept. It's OK to fail, everyone does; now how are you going to deal with the failure
When I was thinking about all the things that the world had forgotten, it made me think about people who have actually really forgotten everything, and how much of our identity is wrapped up in those memories, and how much of our experience makes us who we are, and remembering those experiences makes us who we are.
I have a solo deal with Columbia Records. So it's about, do I want to release an album, when can we do it, what kind of album should it be, how should it be released and marketed and what's the right timing? Do I have time to do it? It's all about questions.
Analysts have forgotten how to analyze business and they have forgotten how to be objective about them.
I've had many failures in terms of technological... business... and even research failures. I really believe that entrepreneurship is about being able to face failure, manage failure and succeed after failing.
Hard work is about risk. It begins when you deal with the things that you'd rather not deal with: fear of failure, fear of standing out, fear of rejection. Hard work is about training yourself to leap over this barrier, tunnel under that barrier, drive through the other barrier. And after you've done that, to do it again the next day
'Begum Jaan' was such a very different zone for me. After the filming was complete, I got immersed in voice modulation. I had to shout my lungs out into the microphone and then dub for it to get that hoarseness in my voice.
Jaan would send me songs and ask me what I thought about his singing. I have always encouraged him, and I always will. He asked me to call a few industry people who I know. I called Mukesh Bhattji, Ramesh Tauraniji and a few others, and Jaan went to meet them, but now it's up to them if they want to give him work.
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