The song 'Jumme ki Raat' is a treat for all the fans of Salman. It is shot in the underground style on a very big scale. We have tried to give it the edgy and grungy feel.
I want to work with Song Joong Ki sunbae again who I worked with in 'Vincenzo.' I learned so many things from Song Joong-ki sunbae but it's regrettable that we mainly filmed together only in the second half.
London is very fashion-forward. Everyone's very stylish, and the designers are great. It's very my style, grungy and feminine - a bit of everything.
A lot of artists come into the game with a radio record, but they don't establish the fans as fans of their style of music. It's just that they're a fan of that song, and after that song plays out, it's real hard for 'em.
Scale is very easy actually. Put a camera on a jib or a drone and get bloody big shots on big sets, it's very easy. But then you're distracted. If you're looking at the shot, you aren't following the story any more.
One of my mottos for 'Currents' was 'Give the song what it deserves.' How would this song flourish? If the song could tell me what it wants, what can I give it? I tried not to dictate it with any sensible or logical decisions.
I'm a big fan of people like Rachel Bilson and Kate Bosworth. I think they're so chic and have this cool edgy-rocker feel. For about a month I tried to do that, but what I realized is that I can't be anything other than what I am.
Scale is very, very important, like the scale of a person is very important. It's to do with the size of our space, the fact they are big sculptures, they are still human scale.
I believe that 'Feel Special' is the story of Twice, written in a song. I guess that is why our fans related to it the most, because it is a very sincere song.
You can treat musicians like actors - you give them a roadmap but don't tell them what to do, and let their personal style or interpretation speak in the piece. And in both film and music, you create a space where people feel safe to do their best. You treat songs like scripts that can be interpreted a lot of different ways.
I tend to keep my style very classic. I like very girly, retro inspired, feminine floral things. I'm not very edgy.
I still vividly remember when I was working in 'Kashmir Ki Kali,' I had no idea about lip-syncing the song 'Diwana Hua Badal' sung by Asha Bhosle and the scene was to be shot in the Dal Lake in Kashmir.
I'm very big on content. I kind of feel like content is king and will continue to be that, so I'm just going to give the fans what they want.
I feel I represent my country: not only my country but all former U.S.S.R. countries because I have very big fan base here, and I have more than a billion Muslim fans. I feel I represent these guys all around the world. My fans. This gives me very good energy. When I go to the cage, I think about these people.
I'm not going to beg anyone else and say 'please please Dana give me the title shot.' Because its like, I'm showing up, I'm fighting in great fashion. I believe the fans like my style. That should be all.
Star cast is very important, for the songs to fly again. You need someone like a Shah Rukh Khan or a Salman Khan, a big star in the film. They will make sure that the song is taken to a different level.
My personal style is kind of sophisticated edgy, I guess. I wear a lot of black and it's what I feel comfortable in.