A Quote by Sakshi Tanwar
I haven't thought about getting into production. I'm interested in the creative aspect of storytelling.
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Having spent a lot of time on sets, I was really interested in the overall storytelling aspect of shows and projects.
Well, I suppose I'm interested in ways of storytelling and in stories that are about storytelling.
I've been training like crazy with my trainer Decker Davis all the time, and we've been doing this new thing called Danger Train. It's kind of storytelling about the offseason training, there's a lot more to come with that. More than anything, from a nutrition aspect to the speed aspect to the strengthening aspect and, most importantly, to the mental aspect, we're always trying to grow exponentially. We're continuing to find new ways to do that.
Visual storytelling combines the narrative text of a story with creative elements to augment and enhance the traditional storytelling process. By design, it is a co-creative process resulting in an intimate, interpretive, expressive technique.
I just always loved the storytelling aspect. Even with the production that's happening right now in music, I still think the core of country songs are very stripped down, and they tell a story in the most pure sense.
I love Fredorator and what they produce and the storytelling of 'Adventure Time'... There's such a dark, adult underlying theme underneath the whimsical, magical children's aspect of their storytelling element.
I was always interested in storytelling, particularly in theater and film. I liked creative things. My mom and dad are wonderful people, but both are tone deaf, so I don't know where the gene came from.
I'm not interested in gothic storytelling or the horrific for its own sake. I'm always interested in it as a way of getting at larger ideas or important meaning. And you don't see that as much as you'd think in the history of horror cinema. A lot of times, it's scariness for scariness' own sake.
Creative differences are legendary in this movie business, so we're really not exploring the creative-difference aspect as opposed to the money aspect, or the fact that something can come up in a movie and literally put the whole movie on the line, and this is where producers have to earn their keep.
It's my passion, that's what I wanna do, it's the end goal, that's what I crave every second of the day is to be working on a production but also to be the person leading the production and guiding the pacing of the storytelling.
Personally, I'm not interested in getting more money for what I do; I'm just interested in more money being put into the production.
I feel like with a lot of Madlib's beats, they are made for storytelling. I feel like when I'm working on stuff with him, I can really get into the storytelling aspect mode of my flow.
Well, I mean there are so many producers that inspire me. I used to try to imitate production by certain people. And now I'm only interested in doing the opposite of that. I'm only interested in doing production that like no one's ever done before.
I find myself more interested in producing. Not because I'm interested in the financial side of it, but just getting together the right elements to make a film, that side of production. I would not be good on the financial side. It would be a disaster from the beginning.
Reading a good comic is a creative act. Watching a film is often a more passive experience, and since I'm interested in engaging that conversational aspect of creativity, I'm trying to find ways of achieving that in my films.
I was interested in theatre, and the only experience that I had in high school was as an actor. But when I got in Conservatoire, my teachers would give me a lot of flack because I wasn't rehearsing my lines; I'd be doing stage management. I was interested in sound. I was interested in architecture. I was interested in every aspect of theatre.
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