A Quote by Sal Khan

I love Victorian novels, the way they capture the nuances of the human condition. — © Sal Khan
I love Victorian novels, the way they capture the nuances of the human condition.
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
I read novels for entertainment rather than for edification, so I tend not to read the sort of novels that are said to illuminate the human condition.
Why do we write novels or make television about real things? It's the human condition and human suffering.
I like all sorts of things, not necessarily just Victorian. Even though I tend to read a lot of Victorian novels, I like a lot of contemporary stuff.
Democrats should insist that a pluralistic democracy such as ours rely on bipartisanship in formulating a foreign policy based on moderation and the nuances of the human condition.
The man Dickens, whom the world at large thought it knew, stood for all the Victorian virtues - probity, kindness, hard work, sympathy for the down-trodden, the sanctity of domestic life - even as his novels exposed the violence, hypocrisy, greed, and cruelty of the Victorian age.
When I was working on a Victorian-era novel, to get in the mood, I read several historical novels set in approximately the same period and place, and really enjoyed the detective novels of John Dickson Carr.
I think that if there's one key insight science can bring to fiction, it's that fiction - the study of the human condition - needs to broaden its definition of the human condition. Because the human condition isn't immutable and doomed to remain uniform forever.
As an actor, you're trying to capture the nuances of real life, but voice work is almost over-acting.
I myself love to read those Victorian novels which go on and on, and you don't read them in one sitting. You might read one over the course of a summer, but that isn't what I want to write.
A conditional love is nothing but an infatuation, sexuality. Unconditional is the only way love can be. Wherever a condition comes in, love disappears. It cannot live in bondage, and a condition gives it an imprisonment. Love can only live like the vast sky. Love knows no boundaries.
The human condition comprehends more than the condition under which life has been given to man. Men are conditioned beings because everything they come in contact with turns immediately into a condition of their existence. The world in which the vita activa spends itself consists of things produced by human activities; but the things that owe their existence exclusively to men nevertheless constantly condition their human makers.
I like to capture the spirit of what the writers intended but find my own nuances. That comes from jazz - the invention and freeness within a structure.
Short stories and some short novels are close to poetry--with the fewest words they capture the essence of a situation, of a human being. It's like trying to pin down the eternal moment.
I love what I do. I love to capture the guy. I love to tell the victim 'Don't worry anymore. They're in jail.' And this is my way to heaven. This is my way to contribute to America what I know how to do best, and that's chase down the predator.
I think it's hard for an outsider to capture the flavor of a community and all its nuances, so ultimately Haitian-Americans need to start sharing intimate accounts of their stories.
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