A Quote by Sal Vulcano
Everything is real. It is one of our golden rules for the show. We won't do it otherwise because the show is built around real reaction, ours included.
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This is the universal property of the human mind. Abstract rules form the core of everything from computer programs to grammars. Our results show that babies' minds are built to look for such rules - even without being told.
I've been watching 'The Cosby Show' and 'Roseanne' a lot right now, and those work so well because they're not, like, jokey comedies; they are coming from real characters. We want our show to be like that. A family show.
Well, I think tone is very important with this show [Masters of Sex] because there are certain elements or certain aspects to the show that may be reminiscent of other shows. But, it really is a very new kind of show, in terms of the subject matter and the way it's being dealt with, and the fact that it's about real people and real events.
Strong style is a philosophy for Japanese wrestling fans that was created by New Japan Pro Wrestling founder Antonio Inoki. He wanted you to show every motion and show real technique in the ring. It's important to use real techniques from real life and real martial arts. The detail is important.
I love 'Yo Gabba Gabba!' because it's a real kids' show. There hasn't been a real kids' show since 'Dora the Explorer.' It mixes hip-hop with being a kid. Hip-hop came from youths anyway. It's just a great, funky show.
One of our rules for the show, I guess the filter we try to pass everything through, is it's a safe place for women to be. It's not a show for women, because we're basically 50/50 men/women in our audience, but it's a safe place where women win. Women never lose on our show. I think that's very important. It's very unusual.
We’re all pros already. 1) We show up every day 2) We show up no matter what 3) We stay on the job all day 4) We are committed over the long haul 5) The stakes for us are high and real 6) We accept remuneration for our labor 7) We do not overidentify with our jobs 8 ) We master the technique of our jobs 9) We have a sense of humor about our jobs 10) We receive praise or blame in the real world
[With depression] you get a real sense of shame, because your friends go, 'Oh come on, show me the lump, show me the x-rays,' and of course you've got nothing to show.
I like to show my ability on the field. I'm not one to show off with words. I'm really looking forward to the chance. I'm a calm goalkeeper, and above all, I've got a real desire to win. When I get on the pitch, I give everything for the team, everything for the shirt.
The best feeling is watching a real football game, because the games they show in the movies aren't real.
I've never been unfaithful outside 'Made In Chelsea.' I don't care what the reputation looks like. I was unfaithful on that television show because it's a show about that. I'm not saying it was acceptable behavior, but the show wouldn't work without relationships failing. In real life it's completely different.
I want to be the girl that's real and show other girls that you don't have to have flawless skin or the 'perfect' body - because that's just not real.
The dozens of people working on this at Digital Domain, they knew that you couldn't get away with almost photo real, because we had real real in the room. You have real real in the cut every four or five shots, so you have this constant yardstick built into the footage by virtue of there being no real robot there. So it became the standard of photo reality that the VFX team had to match.
It was described as Sex and the Suburbs. It's so not that. Because on Sex and the City, those women told each other everything; on our show, it's much more like the real suburbs - nobody tells anybody anything. Everything's a secret.
There was a perception that reality-show people are just mere personalities, that they don't have real talent, and I worked real hard to change peoples' minds, one show at a time, and proved a lot of people wrong. I'm proud I was the first to do that for 'Idol' on Broadway!
The requests started coming in from other prisoners all over the United States. And then the word got around. So I always wanted to record that, you know, to record a show because of the reaction I got. It was far and above anything I had ever had in my life, the complete explosion of noise and reaction that they gave me with every song. So then I came back the next year and played the prison again, the New Year's Day show, came back again a third year and did the show.
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