A Quote by Sal Vulcano
We're not MTV, we're not teenagers. We kind of have a little bit more of an idea of who we are and what our comedy is because we've been doing it for so long.
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I started doing comedy just as myself, because I thought, "This is what's expected, you're meant to tell stories and do observations." And then I started to realize that I wanted to mix it up a bit, so I started to doing songs, and I had a little keyboard onstage and would bring in little props. Then I thought about the idea of talking about a character and becoming the character onstage. So, it sort of morphed into being stand-up that was more character based, and I found that's the stuff I got the better reaction from and was more exciting for me.
I naturally think in terms of comedy whenever I see anything because tragedy is so close to comedy, so I like to add the tragedy to the comedy or a little bit of comedy to the tragedy in order to make them both feel more real to me.
I'm very interested in trying to make comedy shows that are a bit bigger, more theatrical, more of a "show." Some people might say I'm trying too hard, but that's a compliment to me. I like to inject a bit of production value and flair to comedy, or at least to my little corner of comedy.
My kind of success has come a little bit later in life. I'm not 20 any more and these people I've been working with have been successful and good at what they do for a long time.
My whole life, people have been saying, "Why are you so angry?" and I didn't know what the hell they were talking about. After I saw myself at the MTV Awards, I realized, Wow, I do kind of come off a bit intense. I wasn't upset at MTV at all - I didn't mean to come off that way. But I think it's good if I appeared a bit angry. People are too complacent.
I love a good comedy, but the slapstick sitcom belly-laugh sort of comedy - the multicam thing - is not really where my interests lie. I'm very interested in single-cam, in intimate portraits. I like it when comedies have a little bit of realism and a little bit of darkness to them. It makes them more palatable and more relatable and grounded.
There was always, along the way in my career, as more and more I made marijuana a part of my act and my life, the more I'd hear from people saying, like, well, part of the reason that everybody likes it so much is because of the excitement of it not being legal. I always thought that was silly. Especially when it comes to smoking marijuana. People are certainly not less interested in it now that it's legal. In terms of comedy, it has kind of shifted a little bit in that it seems like the novelty has sort of worn off a little bit.
I did MTV so long because it's been really hard to find a place that has been able to keep my interests where I can do more than one beat.
I am not doing comedy because the genre is successful. If that was the case, I would have done a run-of-the-mill comedy film. I set my own trends. I like to give something new and different to my audiences. I want to do the kind of comedy that has been missing till now.
I always try to bring a little bit of my own personality to the character, or some sort of personal connection makes it a little bit more of an organic portrayal and the audience can kind of maybe believe it a little bit more. But I always look for something to kind of connect with and identify with, or bring something of myself to the table.
I have been doing some writing on the side a little bit with artists that I'm really excited about. Kind of more up and coming people. But, I'm focusing more on my own project. It's a full time job being an artist!
I love comedy. I suppose comedy is my first love, in a way. I did a lot of acting, funnily enough, unprofessionally, as a kid. From when I was 10 years old until I was about 19, I was always doing little sketches with my friends, and doing different accents and voices. Probably about 3/4 of those were comedic, in some way, and the other 1/4 was more serious stuff or more action or more dramatic little pieces that I would make. But, I tend to lean towards comedy.
I feel like I have more experience with publishing humor than pretty much any editor I'm going to be dealing with so sometimes I'll get a little bit nuts if I write something I know is good a certain way, and some editor because of some restriction he has and wants to change it that I know is going to make it less funny that'll piss me off and then I'm inclined to go, "Well, hey I've been doing this a long time, maybe you should..." That doesn't happen that often, but I'm more likely to say that now than I would have been a long time ago. Because dammit, I'm infallible!
I think actors have a greater responsibility when doing comedy. It's as easy as anything to get cheap laughs, but that's not the idea at all. "The slight trip syndrome," we call it. With tragedy one can get away with things a bit more because audiences don't always know how to react.
A lot of young coaches who respect the fact I have been doing it a long time, that is often their question: 'Does it get any easier? Can you relax more during the games? Can you take it all a little bit more philosophically and put it more in perspective?' The tragedy is that I have to tell them, 'No. If anything, it gets worse.'
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