A Quote by Salim Akil

If the only thing that was interesting about Jefferson Pierce is that he is African-American, I don't think we'd have much of a show. — © Salim Akil
If the only thing that was interesting about Jefferson Pierce is that he is African-American, I don't think we'd have much of a show.
I think Mr. Cosby has always been very much an activist and a big proponent of African-American pride. That's how 'The Cosby Show' came about. I think in his older years, he has gotten a lot more direct and vocal about it. But I think he only wants the best for all of us.
Black Lightning, Jefferson Pierce, is the American dream.
I have a well-balanced show. It's 50/50 on men/women, and also African-American/white writers, it's the same thing. I have four African-American writers, and four non-African-American writers.
When I was a kid, I'd go to the African-American section in the bookstore, and I'd try and find African-American people I hadn't read before. So in that sense the category was useful to me. But it's not useful to me as I write. I don't sit down to write an African-American zombie story or an African-American story about elevators. I'm writing a story about elevators which happens to talk about race in different ways. Or I'm writing a zombie novel which doesn't have that much to do with being black in America. That novel is really about survival.
The interesting thing about the African-American experience in this country is that we are sort of a mongrel of people. I mean we're all kind of mixed up.
I never ever would have thought initially it would have been someone like Pierce playing Charles. I think he has an innate likeability to him, as soon as you meet him he's very, very charismatic. Charles, on the page, was someone who's very domineering and quite a negative character, and Pierce just by being Pierce can change the whole dynamic of it, which made for a much for interesting relationship. He's a really nice guy.
The thing is, so much of the African American experience is about the redefinition of roots because of slavery. We were uprooted, and there's so much about our whole legacy that was stolen and that we lost in the Transatlantic slave trade that we'll never find out.
I'm fascinated by twins. It's such an interesting thing. I'm an only child, so I don't have a sibling. But, if you think about the bond that siblings have, that intensifies so much when you think about being in the womb together.
Michael Jackson fundamentally altered the terms of the debate about African American music. Remember, he was a chocolate, cherubic-faced genius with an African American halo. He had an Afro halo. He was a kid who was capable of embodying all of the high possibilities and the deep griefs that besieged the African American psyche.
But the fascinating and unbelievable-but-true thing about Dr. Jefferson Jeffersonis that he was not a doctor of any kind. He was just an orange juice salesman named Jefferson Jefferson. When he became rich and powerful, he went to court, made "Jefferson" his middle name, and then changed his first name to "Dr." Capital D. Lowercase r. Period.
Like anyone else in television, I like to explore my life experience. And I don't think African-American artists see doing shows or art about African-Americans as something 'less than.' I think maybe the industry sometimes does. We don't get as much attention, we don't get critical acclaim and so on.
I think you reveal yourself by what you choose to photograph, but I prefer photographs that tell more about the subject. There's nothing much interesting to tell about me; what's interesting is the person I'm photographing, and that's what I try to show. [...] I think each photographer has a point of view and a way of looking at the world... that has to do with your subject matter and how you choose to present it. What's interesting is letting people tell you about themselves in the picture.
An interesting difference between African-American humor and Jewish humor, in it's kind of basic or maybe most austere type form is, African-American humor, some of it comes out of playing the dozens in which you insult the other person or insult the other person's mother, and so much of Jewish humor is like, you're insulting yourself. It's totally self-deprecating.
I'm always talking about how representation is such an important thing - it's not just a request, it's a requirement - it needs to happen. So, to be a part of representation and to go down in the history books as the first African-American woman to win, and the second African-American to win the Royal Rumble is an honor.
I only became an actor to get your attention, to challenge the archetype of an African American male; I can't be anything else in this lifetime than an African American man.
I think the name of the show, 'This American Life' - we named it that just because it seemed like it made the thing feel big. But we don't think about whether it's an American story or not. We happen to be Americans. I think for the stories to work, they have to be universal.
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