A Quote by Salim Akil

Oftentimes in a marriage, you really don't have to say anything. You can sort of have a conversation without words. — © Salim Akil
Oftentimes in a marriage, you really don't have to say anything. You can sort of have a conversation without words.
If I go out and do a set, there's a good chance that I'll watch another comedian. I'll think - not necessarily their words, but oftentimes the message that's behind the words - the sort of belief that their unspokenly advocating, well, sometimes that's offensive.
'Sort of' is such a harmless thing to say... sort of. It's just a filler. Sort of... it doesn't really mean anything. But after certain things, sort of means everything. Like... after "I love you"... or "You're going to live."
I've found that if I say what I'm really thinking and feeling, people are more likely to say what they really think and feel. The conversation becomes a real conversation.
Husbands and wives, if you guys don’t have a beautiful marriage, a loving marriage, a romantic marriage you are ruining your eeman! You have to have a marriage so awesome that you don’t have to look at the character of a movie or a play and say ‘i wish i had a marriage like this’, your marriage should be better than that because otherwise, Sheytan will come to each one of you and say ‘man i wonder, is there anything better out there, why am I stuck in this?’ Both husband and wife have to work hard to make their relationship work not for yourselves but for your eeman!
I don't know what to say when I have a crush on somebody. I kind of lose my words. I really try to start a conversation, and I can't. It's horrible.
They're just words. And words alone don't really mean anything. It's what you feel and what you believe when you say them that matter.
I don't really believe anything I say. Because the nature of my work concerns the spaces between the words, rather than the words themselves.
People who have no secrets from each other never want for a subject of conversation. They do not weigh their words, for there is nothing to be held back, neither do they seek for something to say. They talk out of the abundance of their heart, without consideration they say just what they think. Blessed are they who attain to such familiar, unreserved intercourse with God.
The simplest formula for the new conception of morality, which is beginning to be opposed to the moral dogma still esteemed by all society, but especially by the women, might be summed up in these words: Love is moral even without legal marriage, but marriage is immoral without love.
If I say to you I don't have an open marriage...and you don't trust that, well, there's nothing that I really have to say to anybody about anything because at the end of the day, I'm living my life and I'm happy.
There is such pleasure in long-term marriage that I really would hate to be my age and not have had a long-term marriage. Remember, sustaining a pleasurable, long-term marriage takes effort, deliberateness and an intention to learn about one another. In other words, marriage is for grown-ups.
When a poem is really finished, you can't change anything. You can't move words around. You can't say, 'In other words, you mean.' No, that's not it. There are no other words in which you mean it. This is it.
This conversation with the audience has been going on since, what, '72, '73... Sometimes it's like a conversation after dinner with friends. You're in a restaurant, and you got there at 8 o'clock. Suddenly, you realize it's midnight. Where did the time go? You're enjoying the conversation. It's sort of a natural, organic conversation.
The enthusiasm geologists show for adding new words to their conversation is, if anything, exceeded by their affection for the old. They are not about to drop 'granite.' They say 'granodiorite' when they are in church and 'granite' the rest of the week.
Acting doesn't have anything to do with listening to the words. We never really listen, in general conversation, to what the other person is saying. We listen to what they mean. And what they mean is often quite apart from the words. When you see a scene between two actors that goes really well you can be sure they're not listening to each other - they're feeling what the other person is trying to get at. Know what I mean?
There may be an art to conversation, and some are better at it than others, but conversation's virtue lies in randomness and possibility: people, without a plan, could speak a spontaneous, unexpected truth, because revelation rules. Telling words recur in this smart, generous conversation between Stephen Andrews and Gregg Bordowitz: patience, responsibility, feminism, ethics, cosmology, AIDS, gift, freedom, mortality.
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