A Quote by Salim Akil
It's one thing to be a comic book fan, but when you have to create a character and put him in a suit and keep the story grounded in reality, the challenge sometimes is making sure he actually uses his powers.
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I'm a massive comic book fan. I was buying weekly installments of "The Watchmen", and "From Hell", and "Parallax" and "Johnny Nemo". I was a huge comic book fan as a kid and I still am. Me and my youngest son are both comic book nerds together; make models and stuff.
The human race has reached a turning point. Man has opened the secrets of nature and mastered new powers. If he uses them wisely, he can reach new heights of civilization. If he uses them foolishly, they may destroy him. Man must create the moral and legal framework for the world which will insure that his new powers are used for good and not for evil.
The most fascinating powers don't mean a thing if the guy's poorly motivated or dull, and the most generic powers won't hurt a well-motivated character. Personality and motivation are what make Magneto, Magneto and not Cosmic Boy. The powers work for him, but it's his motivation that makes him the character he is.
I'm in a comic book fan. I have long boxes at home. I'm a comic book collector; I'm not joking. It's just the coolest thing ever.
An actor uses his body as a tool and an instrument. In the same way a musician plays an instrument, the actor uses his body to convey feeling and emotion. An animator uses a pencil or a computer to create the same thing, the same exact way... An actor is taking words that are not his own, and he has to bring some kind of authentic life to those words. It's the same goal, to create this authentic life. Even if it's a drawing, or if it's a cartoon, you're still trying to create authenticity because, if the character emotes authentically, it has a power to connect with the audience.
I feel when a writer treats a character as 'precious,' the writer runs the risk of turning them into a comic book character. There's nothing wrong with comic book characters in comic books, but I don't write comic books.
I'm more of a comic-book movie fan than a comic book fan.
I didn't really know of 'Black Lightning' until I got the script and started to investigate - it wasn't a hero that I grew up with. So I didn't know if his powers were natural or if it was the suit, but those things are, for me, very important. I really like the idea that his powers are his - that whether he has the suit or not, he has them.
I met a bunch of comic-book writers at the Metropolis convention and there was such an interesting discussion about the story of 'Supergirl' and trying to get it right. It can be a challenge, because you don't want it to be the same as the Superman story.
I have immense respect for Christopher Nolan for taking a character called 'Batman' - taking a comic book - and making people believe in him in a real world context.
I'm a huge comic book fan, and I've read a lot from all different comic book outlets.
I have always been a big fan of the character and am more of a moviegoer than a comic book guy, there is always something about the character of Batman that is very elemental. There is a great powerful myth to the character and romantic element that draws from a lot of literary sources
'Comic book' has come to mean a specific genre, not a story form, in people's minds. So someone will call 'Die Hard' a 'comic-book movie,' when it has nothing to do with comic books. I'd rather have comics be the vehicle by which stories are told.
"Comic book" has come to mean a specific genre, not a story form, in people's minds. So someone will call Die Hard "a comic-book movie," when it has nothing to do with comic books. I'd rather have comics be the vehicle by which stories are told.
Every character I've had in my act - none of them have a similar creation story. I actually thought up Peanut and designed him in my head. I described him to a woman that was making soft puppets and she drew up some sketches. And the character came to be just because he popped into my head.
I consciously think about the ethnicity of every character that I create and cast. But one thing that is equally important is quality representation. It's not enough to put an African-American in there, a female in there, a gay character in there: How significant is their contribution? Can they drive the story?
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