A Quote by Salli Richardson
I never thought I wanted to direct. I love the control of it. I love to dream of scenes.
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Love is vivid. I never wanted the pale version. Love is full strength. I never wanted the diluted version. I never shied away from love's hugeness but I had no idea that love could be as reliable as the sun. The daily rising of love.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
Mr. Hitchcock taught me everything about cinema. It was thanks to him that I understood that murder scenes should be shot like love scenes and love scenes like murder scenes.
I love three things," I then say. "I love a dream of love I once had, I love you, and I love this patch of earth." "And which do you love best?" "The dream.
I love doing lesbian love scenes. Before I did my lesbian scenes in Gia, I talked to actresses who said love scenes are easier with another woman than a man. Bound's Gina Gershon and Jennifer Tilly said they'd lie there and discuss the sale at Barney's between takes.
I wanted to just be a filmmaker, and I thought I wanted to do all the aspects, and it seemed like as a producer was the best way to do it, because I could have... You never have control on a movie, but you have as much control as you can.
I wanted to just be a filmmaker, and I thought I wanted to do all the aspects, and it seemed like as a producer was the best way to do it, because I could have... You never have control on a movie, but you have as much control as you can. You can push it through, and you can hire the right people.
At that time I told myself that I didn't want to fall in love ever again. But that night while praying for your happiness Nana, I thought that despite all the wounds and all the pains it could cause I wanted to dream again, and love someone with all my heart.
What various scenes, and O! what scenes of Woe,
Are witness'd by that red and struggling beam!
The fever'd patient, from his pallet low,
Through crowded hospitals beholds it stream;
The ruined maiden trembles at its gleam,
The debtor wakes to thought of gyve and jail,
The love-lorn wretch starts from tormenting dream;
The wakeful mother, by the glimmering pale,
Trims her sick infant's couch, and soothes his feeble wail.
When I wrote my book I wanted to love someone. I wanted to be in love. Now I know that I shall never be in love - and I no longer wish to be.
The love we most cherish will, of necessity, bring us pain. Because that love is like the setting of a body with broken bones. But I want to stage the setting. I want to direct all scenes.
I never wanted to be a star, I never wanted to travel far / I only wanted a little bit of love so I could put a little love in my heart / I never wanted to be la-de-da, go to parties ‘avec le bourgeois’ / I only wanted to sing my song well so I could ring a small bell in your heart
I was already in a band, and the teachers called my mum in and said: 'Abbey's so clever, it's a total waste if she follows her dream'. But I never wanted to do a job I didn't love, and I'd always wanted to be a model or an actress or a singer.
Yet the timeless in you is aware of life's timelessness, And knows that yesterday is but today's memory and tomorrow is today's dream. And that that which sings and contemplates in you is still dwelling within the bounds of that first moment which scattered the stars into space. Who among you does not feel that his power to love is boundless? And yet who does not feel that very love, though boundless, encompassed within the centre of his being, and moving not from love thought to love thought, nor from love deeds to other love deeds? And is not time even as love is, undivided and paceless?
Love cannot be defined, caught, cast in stone, or archived. It's something we have no control over. Love is completely analog. Love can never be digital.
I don't feel the need to direct. I tried to get other people to direct Dances, but they wouldn't do it. They all thought it was too long. One director wanted to cut the Civil War sequence. Another thought the white woman was very cliched.
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