A Quote by Salli Richardson

There were certain films where I went, 'Oh, my God, I'm doing a movie.' — © Salli Richardson
There were certain films where I went, 'Oh, my God, I'm doing a movie.'
I don't know if any of you feel this way, but it's like eventually, you see a woman come on screen and you go, "Oh, thank God!" You just sort of need a break from all this testosterone, which happened, I think, in one of my films, The Hurt Locker. I was in it for like five minutes, and people were like, "You were in that movie!" And I was like, "Well, kind of." And they were like, "No, you were!" 'Cause they needed a woman!
You remember where you were doing each scene. 'Oh my God, it was so hot that day.' It's kind of cool to see a movie that you haven't seen in a long time and reflect on that stuff.
We were lucky to get Sam Jackson and Jeremy Irons and John McTiernan back. Long movie and hard movie to make and difficult for me because instead of working, my biggest concern was not repeating things I had done it in the previous films. And it rang notes in my head of episodic TV. A sequel is not a new movie; it's a chapter in a movie that you have already seen. Thank god Sam was there and thank god Jeremy was there. Again, it went outside the template of that series of films but it did well and made a ton of dough and the third chapter of a lot of sequels is always the one that falls down.
I like doing personal films, after doing a bigger movie, I enjoy doing smaller, intimate films.
When I first heard that they were going to make 'Beauty and the Beast' at Disney, I was like, 'Oh, God, there's no way I'm going to see that movie,' because I knew what that movie was, was just two people sitting down to dinner over and over and over again. But then when I went to see it, it was like, 'Oh, they made it work.'
You have no idea, especially in green screen, what movie you're doing. You really don't. And then, you see the movie and you're like, "Oh, my god, I'm on a cliff right now! I'm having sex right now! I thought I was dancing."
When I began making films, they were just movies: 'What's the new movie? What are you doing?' Now they're called 'adult dramas.'
A lot of times, you finish a movie, and you're either going, 'Oh, thank God, that's over,' or 'Oh, my God, it's over, and I don't want it to end.'
It just tends to be that the grass is always greener. If I'm doing a movie, I suddenly think, 'Oh God, I wish I could just get a play script I could get my teeth into.' If I'm doing eight shows a week in a West End musical, I think, 'God, how lovely it would be to be in a TV series right now.'
By the fourth or fifth take, I had gotten over the 'Oh my God, it's a Stanley Kubrick movie' and got around to doing a little bit of acting.
I was turning up at sets where inexperienced people were making these badly written films - but they were doing it; that was the point. They were getting their films out there. And they were paying me, so they obviously had access to money. I just thought, 'I can make something better than this.'
I guess they still show the movie in school, so around the time of movie showing, my Facebook inbox and my Instagram DM is flooded. "Are you the Quindon Tarver from the movie Romeo + Juliet? Oh my god, you did a great job."
My first movie that came out - 'Shopping,' a British movie starring Jude Law and Sadie Frost - there were certain journalists in the U.K. who just eviscerated that movie.
There were times in my career I went a little further than I wanted because of expectations. Doing certain things onstage when children were in the audience, wearing certain clothes, singing certain lyrics.
Obviously, aging has a certain amount of mellowing process because there's certain things you realise you were doing when you were younger that were plain ridiculous, stupid.
I always want to try to make films feel timeless, because one of my biggest pet peeves is that there's a movie you love, and then you revisit it twenty years later, you show your kid or something, and it's like, 'Oh my God!' with hairstyles and clothing and all that kind of stuff.
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